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'Circuital' was just so much about us as a band. We captured every song live, including the main vocal. That is probably my favorite My Morning Jacket record because it's really the essence of us being us. The solo record is just a completely different essence of just me trying to figure out stuff.

When I was maybe three years old, I was obsessed with this song 'Leader of the Band' by Dan Fogelberg. My mom took me to the mall and bought me a 45 of it. We would listen to that song all the time.

I got really hooked on this riff in the middle of this song called 'Minor Miracles' by my friend Eric Johnson from Fruit Bats. I got the tracks for that from him, and that turned into 'Here in Spirit.'

I'm a Tupac man myself. And my all-time favorite song, Gordon Lightfoot's 'The Wreck of the Edmund Fitzgerald.'

But then you have to write a song, so at that point, I picked up the reins and started to write lyrics.

No nation has a single history, no people a single song.

When people see you have a song on MTV, they think you are doing well - but you know, the way the traditional label deal was set up, it is really hard for an artist, unless they sold a lot, to see anything.

I'm an older woman who's not going to have a shiny pop song ever again, so that gives me license to do whatever the hell I want.

I have never made a cent off a record in my life. I have never recouped enough, and I never sold enough. When people see you have a song on MTV, they think you are doing well - but you know, the way the traditional label deal was set up, it is really hard for an artist, unless they sold a lot, to see anything.

The best thing we've learned is when you are attempting to write a full song, write a full song that day. When we first started, we would have great ideas, but there's something about a moment and a vibe that's being created in time that when you return to it, it sometimes works, and it sometimes doesn't.

If you write a hit song for Britney Spears, it's worth several million dollars. Just one song! And it might have taken you two hours to do it. It's like mining for gold. It takes a lot of skill and a lot of technique.

I'm a sucker for a good country song.

I've always loved the song 'It Might as Well Be Spring'.

In my music career, I never was interested in working and writing and creating songs based on what kind of rewards I could receive in return - a hit song, per se, is what most contemporary artists have to deal with when they deal with a label.

I don't know how other people have a topic or have a goal when making a song, like, 'Let's write about this, or let's write about that.' It's kind of difficult for me. Personally, I like vibing out and freestyling.

I was very small when I started making music. I think the first song might have been when I was, like, in grade one, maybe? It was really ironic, cause it was a kid talking about taking time with growing up.

I sing in languages that I speak. So when I'm singing a Schubert song, I know precisely what every word means and, you know, when it was composed and who was the poet and all of that and whether Strauss or Wagner or French Belioz, Duparc or Debussy or whatever.

I love movie musicals because I think there is an amount of emotional honesty that's needed to portray someone who feels so deeply that all they can do is break into song.

There's certain types of music where the artist sells the song - where it doesn't really matter what's going on with the song.

When I get into the studio, it's not about trying to get a good song, it's about whatever comes naturally.

Christmas in the Buckley household is hilarious - at the family dinner, we all have to do a song, no matter if you can sing in tune.

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