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We look before and after, And pine for what is not; Our sincerest laughter With some pain is fraught; Our sweetest songs are those that tell of saddest thought.

In their heyday, the Pet Shop Boys were the Interpol of the Eighties, dressing up to sing really weird pop songs about lust and loneliness in the big city. They're low-pro now, not retro-worshipped in the manner of Depeche Mode, New Order, or The Cure, but you can hear the reason why - these guys are too sad.

It was R.E.M. who showed other Eighties bands how to get away with ignoring the rules - they lived in some weird town nobody never heard of, they didn't play power chords, they probably couldn't even spell 'spandex.' All they had was songs.

Thanks to the greatest invention of recent years, the MP3-playing alarm clock, I can now choose the song that wakes me up in the morning.

'Drive,' that's the one. I love dozens of songs by R.E.M., but that's the one, even though it took me 7 or 8 years to start liking it.

Every moment of my life has a soundtrack, so I never know when some song is going to jump me by surprise and bring the memory alive.

Instead of writing songs for girls, I tend to write albums, which I guess is a bit weird.

'Kiss Me.' That's my 'Twilight' tune, a song you'd have on the 'Twilight' soundtrack.

I don't know if my songs fit in films.

Everyone knows almost everything about me. I make it very clear that I'm cool with people knowing all my personal life through my songs.

I'm quite arty. I didn't know whether to become an artist or musician but I realised I could paint with music. All my songs have colours.

And you know there’s nothing like writing a song about someone who’s mean to you, and just makes your life miserable…and then winning a Grammy for it.

Every one of my regrets has produced a song I'm proud of.

Happy songs are very difficult to write. How many truly great upbeat songs are there?

My songs can make you cry, take you by surprise at the same time, can make you dry your eyes with the same rhyme

I really try to be aware of the purpose of each song. There are songs on my record that I want people to have sex to, and songs people can listen to when they're pissed off.

I'd like to be remembered as a guy that came along and did his music, did his best and showed up on time, clean and ready to do the job, wrote a few songs and had a hell of a time.

I found a sound that people really liked - I found this basic concept and all I did was change the lyrics and the melody a little bit. My songs, if you listen to them, they're quite a lot alike, like Chuck Berry.

I think Bruno Mars is a great example of a great voice and classic songwriting with a twist that makes it contemporary. I think he's done a great job of it. I think Katy Perry has undeniable songs for what she does, for that pop market. And, if we're talking in the truly pop market, I would say those two.

Good new songs are the backbone of the music industry. There isn't an artist out there who could survive without hit songs.

A great song should make you stop everything that you're doing. You should be so into it that you just can't imagine doing anything else for that moment. You wouldn't even dream of picking up the phone.

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