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I'd really rather put songs on people's lips than in their ears.
Praise is the rehearsal of our eternal song. By grace we learn to sing, and in glory we continue to sing. What will some of you do when you get to heaven, if you go on grumbling all the way? Do not hope to get to heaven in that style. But now begin to bless the name of the Lord.
In the waking dreams our societies permit, in our myths, our arts, our songs, we celebrate the nonbelongers, the different ones, the outlaws, the freaks.
The only thing better than one of my songs is one of my songs with a glass of scotch.
I think that to believe is to acknowledge that it's a choice in that present tense and that doubt is always an option. You’re not dealing with a fact like one plus one equals two—I’m gonna choose to believe that. It’s kind of one of those things where you are choosing to believe that someone loves you. That is always going to be your choice. So for me, I think that’s what makes the faith that I have volatile and explosive and dangerous and troubling. That’s what most of my songs are about.
My faith, I mean, that's such a personal aspect that a lot of times, of course it's going to come out through the song. But at the same time, I'm not a religious salesman. I feel like God doesn't really need a salesman, and what these songs are are simply my interactions with this life and learning. I guess the bottom line is the songs are really honest, you know what I mean. That faith is going to come through. If the listener is looking for it, that's definitely a part of it.
I write songs. Then I record them. And later, maybe I perform them on stage. That's what I do. That's my job. Simple.
November Rain is a song about not wanting to be in a state of having to deal with unrequited love.
Since I was a child, my whole life has revolved around music. It's often while listening to a song that ideas for my fashion collections formed.
Christ himself wrote nothing, but furnished endless material for books and songs of gratitude and praise.
The song is just the given. It's how you cover it that matters.
If I found a cure for a huge disease, while I was hobbling up onstage to accept the Nobel Prize they'd be playing the theme song from 'Three's Company'.
There aren't reasons why you like this song or this piece of music, or don't like it. It's just, it's either right or wrong, you know?
I think a good song is a good song is a good song.
The vocals are what immediately draw people in and sell the song.
You could say singing is in our genes. Both our parents sang and made up songs constantly.
We were writing songs about girls when we still thought girls had cooties.
We all love to sing, and when we sit down to write a song I think it kind of shows itself to us.
Then on to all the terrific american songwriters, from Tin Pan Alley to the Beatles, from Bob Dylan to Paul Simon. Whoever wrote and sang in the song form I have appreciated.
People looked to Kurt Cobain because his songs captured what they felt before they knew they felt it.
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