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A song is a song. But there are some songs, ah, some songs are the greatest. The Beatles song Yesterday. Listen to the lyrics.
The clothes I wear... that doesn't change. I love long dresses. I love velvet. I love high boots. I never change. I love the same eye make-up. I'm not a fad person. I still have everything I had then. That's one part of me... that's where my songs come from. There's a song on the new Fleetwood Mac album [Mirage] that says, 'Going back to the velvet underground/back to the floor that I love,' because I always put my bed on the floor. 'To a room with some lace and paper flowers/ back to the gypsy that I was.'
They should invent some way to tape-record your dreams. I've written songs in my dreams that were Beatles songs. Then I'd wake up and they'd be gone.
I've been lucky to be able to make the records I've wanted to make. The record company has never pressured me to cut certain songs.
Singing your own songs is all about individual expression
I enjoyed hearing people do their own songs. I became attracted to singer-songwriters. I became interested in them as people; was curious about what they wanted to say.
And when I've been away from my family and friends, I have felt good hearing some of those old songs.
Im thankful for my songs being at the top of the charts but I am human - I think people still have to remember that.
I try to choose the songs that really are basically coming from my heart. I think that through the songs that I select, people know what's going on in my life.
People thought me a bit strange at first; a blond haired, blue-eyed Norwegian who sang Mexican folk songs, but I used it to my advantage and got a job. And so the music became my ticket to education.
We wanted to write a whole song about partying and then taking Yellow Cabs home. That's the weirdest topic we've ever thought of centering a song around.
The Wreckoning is a darker song. But the record is positive
People get passionate about a song. It's been my experience if you put out radio candy, something commercial, it doesn't sell records.
I wrote a song called "Green Day" because I was smoking a lot of dope.
We never fit in completely to [the punk] scene because we were writing love songs that were heartfelt and endearing. Some of the punks didn't know what to make of us, but I finally realized that was what made us punk. We sang what we meant, from the heart, and didn't worry about what anyone was going to think.
And for our fans, they're just crazy people anyway. I always look at people in a Green Day shirt, and I think, 'What's wrong with that person? What kind of hang-ups does that person have?' Obviously, it's not just the catchy songs, it goes deeper than that.
Just seeing the things on TV and the things in front of you, the amount of information coming in, and the lack of information not coming in, how could you not help but write songs about it.
I am deeply devoted to the 27,000 songs I can take anywhere on my iPod Classic as well as the exquisitely engineered MacBook Air on which I typed this column.
I hate to blow the mystique, but at the time we really liked bubblegum music, and we really liked the Bay City Rollers. Their song 'Saturday Night' had a great chant in it, so we wanted a song with a chant in it: 'Hey! Ho! Let's Go!'. 'Blitzkrieg Bop' was our 'Saturday Night'.
The video forum for me has been a source of great consternation because once you start projecting a look to a song, it robs the listener of their ability to adopt that song and make the lyric their own.
I have been around for a long, long time. I didn't make it 'til I was older. I went through the period when women were not getting signed, particularly if you were writing songs that were lyrically propelled.
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