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And you have a record company behind it, this is a key too, you need people to fight for your records, at least a little bit. So if you have a great song, it's catchy, and you've got a little bit of help, I think that's all you need. But there hasn't been that in music.
A lot of the songs I've recorded are songs I write.
I think there's nothing better than seeing a three-chord straight up rock 'n' roll band in your face with sweaty music and three minute good songs.
My songs are like cheap Neil Young copies.
I never have any problem getting enthusiastic with a good song and a good band.
I have to believe that I know what's best for me. For instance, I choose all my songs. I never record anything I don't want to record. No one tells me what concerts to do.
I always choose songs that I have an emotional connection to, and I often feel myself getting very emotional when I sing.
To think that when they come out with these gigantic songs, it's pretty tough to top them, you know.
A lot of people when they try to sing Skid Row songs, they're screaming and yelling too much. It's more singing than screaming.
I don't understand the mentality of a rock fan, being obsessed with two or three songs from 25 years ago. I'm not that kind of a fan.
Every single band in the world has these gigantic songs that people are obsessed with.
This is an album of songs that I've always loved, tunes that I heard. For the first time in 53 years of recording, I really had control over an entire album, start to finish.
That's where it begins and ends for me and these songs were the ones that touched me the deepest. It was like I was laying hold of some part of me that I didn't even know was there until I let it out.
It's not about battling the original artists when I record these songs, it's about paying tribute to them.
You can't fake this music. You might be a great singer or a great musician but, in the need, that's got nothing to do with it. It's how you connect to the songs and to the history behind them.
Pippa's Song The year's at the spring The day's at the morn Morning's at seven, The Hill side's dew-pearled The lark's on the wing The snail's on the thorn God's in his heaven- All's right with the world
Throughout all of the changes that have happened in my life, one of the priorities I've had is to never change the way I write songs and the reasons I write songs. I write songs to help me understand life a little more. I write songs to get past things that cause me pain. And I write songs because sometimes life makes more sense to me when it's being sung in a chorus, and when I can write it in a verse.
Love is fragile. And we're not always its best caretakers. We just muddle through and do the best we can. And hope this fragile thing survives against all odds.
Too bad the freedom seemed like a prison. As his boots hit the mosaic floor at the bottom of the stairs, John Mellencamp's old-school, bic-lighter anthem echoed in his head-and though he'd always like the song okay, he'd never truly understood what it meant. Kind of wished that were still the case. Life goes on...long after the thrill of living is gone.
But no matter what love throws at you, you have to believe in it. You have ot believe in love stories and prince charmings and happily ever after. That's why I write these songs. Because I think love is FEARLESS.
Would you destroy Something perfect in order to make it beautiful?
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