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Sometimes you have to be apart from people you love, but that doesn't make you love them any less. Sometimes you love them more.

A poem is this:/A nuance of sound/delicately operating/upon a cataract of sense/...the particulars/of a song waking/upon a bed of sound.

We were quiet on the car ride home. I turned on the radio and found a station playing "Hey Jude." It was true, I didn't want to make it bad. I wanted to take the sad song and make it better. It's just that I didn't know how.

I gave her my heart but she wanted my soul.

Yes, she is the fruit that will Sustain me and yes, she brings A rain that I know can chill But it is a rain so sweet and sings A song my soul insists That I follow, if I would exist As more than I have ever, ever been If my mother calls it evil, then I embrace the sin

Today the mockingbird does not sound very happy. It sounds if it is coming apart. As of the very heart of itself-its song-is breaking into pieces and flying off in a hundred directions.

A mockingbird has moved into our neighborhood. It perches atop a telephone pole behind our backyard. Every morning it is the first thing I hear. It is impossible to be unhappy when listening to a mockingbird. So stuffed with songs it is, it can't seem to make up it's mind which to sing first, so it sings them all, a dozen different songs at once, in a dozen different voices. On and on it sings without a pause, so peppy, even frantic, as if its voice alone is keeping the world awake.

When I'm writing a song, it's just me and the songwriters. Then when the song is done, there are publishers that hear it, then people in my management, then my wife and my boys and my friends, and if they're all lovin' it, it's kind of withstanding all the criticism I need.

Hey, what is it with you? Why are you so spaced out? You still haven't answered me." I probably still haven't completely adapted to the world," I said after giving it some thought. "I don't know, I feel like this isn't the real world. The people, the scene: they just don't seem real to me." Midori rested an elbow on the bar and looked at me. "There was something like that in a Jim Morrison song, I'm pretty sure." People are strange when you're a stranger.

There's always gonna be guys who are just wonderful singers and probably shouldn't be writing songs. Then there's always gonna be guys who move up the ranks writing. I don't know what's healthier or what's the best thing - probably whatever yields the best songs.

Cruel of heart, lay down my song. Your reading eyes have done me wrong. Not for you was the pen bitten, And the mind wrung, and the song written.

Nothing is more frustrating to me than putting a song on an album and regret putting it on there. I'm excited that there are no songs on 'Tailgates & Tanlines' that I'm iffy about.

I’m glad we had the times together just to laugh and sing a song, seems like we just got started and then before you know it, the times we had together were gone.

I will always really work hard to write as much as I can, but I also love sitting back and waiting on those big Nashville songwriters to send me some great songs, too.

I think it's always important to constantly keep the band on their toes and try new things that you hope will work. That's how 'Apologize' was born, and maybe down the line another little song will be born by that mentality. I've always really liked that song.

God sings, we hum along, and there are many melodies, but it's all one song - one same, wonderful, human song.

'Tailgate Blues' is kind of a lyrical masterpiece of a country song.

I'll always have songs with a farm connotation on my albums. It's in the fabric of my music, and I plan to keep it that way.

I think 'Country Girl' is one song that can veer into country or hip-hop or rap. You can listen to it and enjoy the humor and the fun in it.

There's in my mind a... turbulent moon-ridden girl or old woman, or both, dressed in opals and rags, feathers and torn taffeta, who knows strange songs but she is not kind.

Early in my songwriting career, when I was learning a lot about writing songs, I'd force myself to sit down until I came up with something.

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