Explore Quotes on Song

When I heard 'Moon River', at first I thought it was just a nice song, but then I started paying attention to the words and realized this song was about Huck Finn. I just love the words, that it's kind of you and me against the world, and we're going to make it together.

When you sit down and there's nothing, and then you write a song and there's something, that's the most extraordinary feeling.

You're always super stoked when you see that your song did go the distance and people are recognizing it.

Well, each artist has something special about them. And I try to find whats best in them and find a song that works with it.

My favorite song to play is 'Smokin' by Boston. I actually had a chance to play that with the band Boston live.

The perfect pop song is a 20th-century creation; it's not a sonnet, it's not an opera, it's something short - three and a half minutes by nature - and has this ability to travel and to defy class and economic structures.

'Planet Caravan' by Black Sabbath is such a delicate song from such a surprising place.

I always feel a rise in my scalp or in the backs of my wrists when something is special, whether it be a song or a man.

When I was a teeny little girl, I was in dancing school, and I sang. We had to put a dance to a song, so I went to the 10-cent store one day and looked at all the sheet music. It was all laid out, and I picked 'Life Is Just a Bowl of Cherries.'

I love to cook, my husband and I collect wine, and in my head, I am always on Sullivan's Island, walking the beach listening to the song of the ocean.

A song must move the story ahead. A song must take the place of dialogue. If a song halts the show, pushes it back, stalls it, the audience won't buy it; they'll be unhappy.

I am so highly skilled that when I pick up a phrase and then pick up my guitar, a form comes out almost immediately - a song - and once I start, I have to finish it.

I decided to make a CD that I would enjoy listening to. So I would finish a song and sit there, and I would say, 'What song, of all the songs I know, would I like to work on now? What song would make me happy?' And that's how I picked the songs.

One of the most amazing things about 'Crazy Ex-Girlfriend' is that every song is an original. There are no covers. I think 'Glee' had to deal with forcing covers into their plotlines. That can be difficult to pull off.

Doing a musical is not just acting. It's total theater. When you have to justify the enormous projection of energy it takes to just go into song and dance, you realized why it's such a humbling experience every time you go into a show.

If you've got a good song, it's easy to play. But you can't make a bad song sound good no matter who you have to play on it.

Dad wouldn't let me fool with his guitar much, because I'm left-handed, and I'd pick it up upside down. But I remember learning to sing 'Paper Doll,' the Mills Brothers song - this was during the war - and I remember my dad taking me down to one of those little record booths where you could make spoken letters to send home.

I wrote '('Til) I Kissed You' about a girl I met in Australia. Her name was Lilian, and she was very, very inspirational. I was married, but... I wrote the song about her on the way back home.

But I knew - in the old days, if a song was a good song, I don't care if it was 'Yellow Submarine' or, you know, or 'The Times They Are a-Changin' or 'Don't Be Cruel', you knew it, you know? You heard that song, and you were talking about it, and you knew it.

In a sense, 'American Pie' was a very despairing song but it can also be seen as very hopeful.

All roads lead to 'American Pie.' 'As American as apple pie' was the saying. It was some kind of a big American song that I wanted to write, which would be a conclusion for my show and bring all the songs home, which it still does. I can go anywhere I want with American music and come home to that. And it all makes sense.