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A lot of my friends send me Snapchats of when they're in the club, and they're like, 'It's your song!'

All the song choices that we've picked are unique in their own right. They're fun, and it's really just to engage our fans.

We really wanted to create an album that had no boundary or limit to it. There's nothing to say that we couldn't release a song that belongs on 'The Stage' 20 years into our career. We want it to be an album that constantly grows with what we want to do, and that's what we did.

It's just so obscure to take a folk song in a different language and be a pretty well-respected English-speaking rock band and totally take a song and twist it around and have fun with it.

When I was in high school, the girls used to tell me I looked like Usher, so to be doing a song with Usher was mind-blowing.

'So Icy' is always going to be one of my favorites because this is a song that blew my mind. I was just making beats for the fun of it. I went to the club and heard the song being played, so I asked the DJ to stop playing the song, and the whole club started rapping word for word.

When people wanna come buy beats or wanna record a song, I'm trappin'.

What I don't like to hear in music is something has not been thought through: that a sound is just there randomly. I want to make sure that every single little noise that's in my song is there because it's supposed to be there.

I will not promote other people's songs big time. I will just mention that I produced the song to get the credit I think I deserve.

I never feel like I need to make a song that sells 5 million copies; that's not the point of why I make music. It's great if that happens, like it did with 'Clarity,' but my goal is to always make a better track than the last one.

I usually write my music on a piano, and I really enjoy performing that way, because that actually shows how the music was in my mind before it actually became an electronic song.

I can't just sit down and make a song in a day. It's only possible if you focus on the music and not the sound.

I really like working with unique and unknown artists, as they usually bring something fresh to a song.

I definitely don't sit down every day and make a new song.

Back when I was jamming with Axl and the guys they had boxes of cassettes with song ideas. How do you know which ones you like now when you have that many ideas.

If I hear one more tailgate in the moonlight, Daisy Dukes song, I wanna throw up.

There are still artists that do a great job with a song, and they care about the lyrics, and it's not just mindless drivel.

Country fans and country listeners deserve to have something better... a song that really has something to say, something that makes you feel something.

Every record we do, we do one song we didn't write.

'A Pirate Looks at 40,' we had to do that song. I've been covering that forever.

We've gone further on this album, where we have a Big Band song, kind of a Sinatra-type song; we have a couple songs that have electronic music on them. We've got a couple rock songs, maybe a little heavier than what we've done. So the title 'Jekyll & Hyde' really covers the breadth of the record.

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