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If you feel that you can just come in the studio and freestyle on my song, then I'm ready to rap battle you. That's just how I feel about it because I know I'm way harder than another rapper freestyling on my song.

I didn't used to do shows, because I used to be so shy. We'd perform, and I'd be at the back, thinking of another song. I was so shy, I ain't never getting in front of the camera; I would never get on stage.

I did a song in eight minutes. I thought everybody could write songs that fast. But working with a lot of them, they don't.

Wayne and Drake, it takes them so long to do a song. I understand why, because they want it to be perfect. But I think I can do a perfect song in 10 minutes.

You can't try and make something you think someone else will like. You can only make what you like. How can you make a song that Yo-Landi Visser likes? You don't know me. You'll never understand me.

I never tell my artists how to rap or how to approach a song. I let them do the song.

I need to focus on other things before I carry on in Bollywood. I can't be doing what I've done in 'Lungi Dance' and now the song 'Party With Bhootnath' with Bachchan over and over again. I've to reinvent myself for Bollywood.

I would never sing a song which I cannot sing in front of my family.

When some artistes give a hit song, they keep repeating themselves in the same genre. I always try to create something new.

I never do any song with any expectation.

When I was child, I saw the 'Ram Leela' performed on stage. Now there is the film 'Ram Leela,' and its maker actually wanted me to do a song for Akshay Kumar in 'Gabbar.' Akshay was one of the first Bollywood A-listers to believe in me. We jelled before we jammed together.

It's a misconception that I compose songs for girls. I have sung a song for Bhagat Singh, too, but nobody knows about it. I have sung about boys, but all of them are super-duper flop.

I don't take my work ever for granted. I still work very hard on every song and try to outdo myself every time.

I'm very comfortable singing myself, first of all. Secondly, there's a certain disconnect when you write the song and you have someone else sing it for you. And it's kind of like a fakeness about it.

I got a song called 'Bicking Back Being Bool.' That's our lingo.

Everyone was messaging me like, 'Yo, 'Rubbin Off the Paint' goes hard.' Everybody in school knew it. The teachers know my song.

Every year I do a song for my homeboy Valley, who passed away from a heart attack.

As an artist, you need to be true to yourself and free and not put yourself in a box that contradicts with what you feel is needed for a song.

People knew that I was a disciple of Sivaji Ganesan and wanted to honour his memory. In fact, I did a movie and play adaptation of 'Vietnam Veedu,' and used the song 'Un Kannil Neer Vadinthal' as part of the play.

It was a privilege to direct the music video for Adele's beautiful, heartbreaking song, 'Hello.' When I first heard it, all the images appeared clearly in my head - and her trust and generosity allowed me to work with abandon artistically and emotionally, like she always does. It made me extremely proud.

I intend not to do an item song ever. I find the term 'item songs' bizarre. I do not want to comment on its presence and its popularity, but I would rather avoid it.

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