So, in some ways, the political songs tend to be a bit more like reportage, whereas the love songs tend to be like novels, you can pick them up off the shelf and go into them any time.
Billy BraggRead
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So, in some ways, the political songs tend to be a bit more like reportage, whereas the love songs tend to be like novels, you can pick them up off the shelf and go into them any time.
I can't say what people use the experience of listening to songs for, but I would never tell somebody what it is supposed to mean. That defeats the purpose of making it. Hopefully, whoever connects with it connects with it in their own way, and it can mean whatever it is supposed to mean to them.
The masses do not see the Sirens. They do not hear songs in the air. Blind, deaf, stooping, they pull at their oars in the hold of the earth. But the more select, the captains, harken to a Siren within them... and royally squander their lives with her.
But me writing sad songs doesn't mean I am a sad person.
My older sister encouraged me from early on and bought me one of the first guitars I had. She listened to all of the crappy songs that I wrote when I was 8 years old and encouraged me to keep doing it.
Write your own songs. It helps you to mean what you're singing, which will then make it mean something to listeners.
I've been writing a lot of road songs. Writing a lot of homesick songs. But once you start playing them out, it all ain't no secret anymore. Everyone knows how you feel.
For me, I really feel like if there's not a real, true connection to the material, I don't need to sing it. I don't need to sing songs just because I like them anymore. I've done that.
I was kind of thrown into - I didn't expect to do this for a living, being a recording artist. I was just playing music for the fun of it and writing songs. That was kind of my escape, you know, from the humdrum of the world.
I won't get into it any more than to say that there are parts of me in all the songs that I write.
I didn't want to repeat my mistakes so I stopped, took some time out and started having therapy. My songs were bringing up feelings inside of me I didn't really understand, so I wanted to understand where they were coming from to help me be a better person and a better songwriter.
If it can affect me, if it has meaning to me, if I feel I can do it well, I will do it and record it and thats why I recorded these songs.
The main objective in any song, the songs that I write, has always been that it reflect the way I feel, that it touch me when I'm finished with it, that it moves me, that it can take me along with it and involve me in what its saying.
I want to sing more in Spanish. I want to sing the songs of Granados; the songs of Montsalvatge. To do things that truly I've not done before.
I find the greatest songs in the world come out of pain, and I don't like it! Here's what it does: It strips away all of your facade. It makes you so honest. It's cleansing.
When my dad died a lot of songs came, and they're still coming.
The biggest thrill you can have is to tell people one of your songs, and have them be able to hum it.
As an adolescent, I was painfully shy, withdrawn. I didn't really have the nerve to sing my songs on stage, and nobody else was doing them. I decided to do them in disguise so that I didn't have to actually go through the humiliation of going on stage and being myself.
I have to write and play. If I became an electrician tomorrow, I'd still come home at night and write songs.
I used to imagine that making it in music - really making it in music - is if you're an old man going by a schoolyard and you hear children singing your songs, playing jump-rope, or on the swings. That's the ultimate. You're in the culture.
I wasn't a jazz player, but a classical musician, and I improvised arrangements of popular songs using classical motifs.
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