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Unless you are actually a ninja, a guru, or a rock star, don't ever use any of those terms in your bio. Ever.

Star Trek wouldn't die. There were a whole lot of young people who were touched by the thought process of science fiction. If you watched a cop show, there wasn't anything that was going to stimulate your mind.

I love Marlon Brando and James Dean. That was when it was all about the star and the script. Nowadays, everything has to be action-packed.

I don't think I am a star; I consider myself like any other girl who is of my age. Others may be working in office and doing different jobs. Similarly I don't think I am doing something different... I am also working.

Every film teaches you something; every experience on every film set with every co-star teaches you something. You learn something new. I think the challenge is to keep working harder and doing better.

The book the Ziff folks sent me as an example of their art was 'Late Night VRML 2.0 with Java,' 700 pages + CD-ROM, published February 1997. I was personally acquainted with more movie stars than people who might conceivably have wanted to buy this book or any book like it.

A writer is very much like the captain on a star ship facing the unknown. When you face the blank page and you have no idea where you're going. It can be terrifying, but it can also be the adventure of a lifetime.

Look at the stars, how they shine and glow, some of the stars died a long time ago. Still they shine in the evening skies for you see, love like starlight never dies

True freedom has more to do with following the North Star than going whichever way the wind blows. Sometimes it seems like freedom is blowing with the winds of the day, but that kind of freedom is really an illusion. It turns your boat in circles. Freedom is sailing toward your dreams.

Finally, I owe a debt to all the writers who've worked in the Star Wars universe to date - and to the millions of readers who've supported their works. The stories we love may not always fit neatly into a single timeline, but they will always matter.

I really wanted to believe that there were these magic celestial bodies that would direct my life, tell me what to do, and it turns out it's not stars, it's some bits of screwy DNA. I'm just meat with faulty programming.

A strange thing happens when you interview a robot. You feel an urge to be profound: to ask profound questions. I suppose it’s an inter-species thing. Although if it is I wonder why I never try and be profound around my dog._x000D_‘What does electricity taste like?’ I ask._x000D_‘Like a planet around a star,’ Bina48 replies._x000D_Which is either extraordinary or meaningless - I’m not sure which

God was something I did not understand the way kids who went to church did. They said God was a man in the sky with white hair and a beard like Santa. This seemed strange to me. When I thought of God, I imagined only mist over the pond, a sliver of moon in a dark sky, scatterings of stars, birdsong.

There are so many kinds of time. The time by which we measure our lives. Months and years. Or the big time, the time that raises mountains and makes stars. Or all the things that happen between one heartbeat and the next. Its hard to live in all those kinds of times. Easy to forget that you live in all of them.

I didn't get into entertainment until I was like 31. I didn't star in a movie until I was 46.

A mother of a one-year-old boy is a movie star in a world without critics.

It is in the darkest skies that stars are best seen.

There was nothing to keep him (Cal Ripken, Jr.) from being a star in the Major Leagues. That was inevitable.

I'm star-struck when I see Paul Scholes because you never see him. On the pitch you can't catch him. Off the pitch he disappears.

You call a star a star, and say it is just a ball of matter moving on a mathematical course. But that is merely how you see it. By so naming things and describing them you are only inventing your own terms about them. And just as speech is invention about objects and ideas, so myth is invention about truth.

The fierce ambitions of Carver Dana Andrews, son of a Baptist preacher, might well have been imagined by Horatio Alger, Jr.-- or Samuel Goldwyn-- but not the hidden costs behind those achievements. Carl Rollyson compassionately captures the man behind the movie star.

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