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Whatever I do - whether it's directing, producing - I just come at things from characters, from stories, from jokes and scene rhythms. I'll always have that at the epicenter, I think.

Having a range of perspectives allows you to tell stories through a different lens and approach things from fresh angles. If you're straining everything through the same filter, you're always going to wind up with the same product.

In the writers' room, the challenge is always to tell interesting stories in unexpected ways, so we try to never limit ourselves in how we accomplish that.

I wouldn't compare myself to any past Idol contestant, because I don't feel like I am like any of them. Maybe stories are cool but my story is different from most people's story. I don't like to compare myself to other people, I like to just be me.

I spend a lot of time thinking of stories and reading and that's where my creativity comes from.

Perhaps inevitably, media stories focus on differences, which exacerbates tensions; yet Islamic radicalization is, in part, an acute expression of broader trends that affect us all.

I want to write a script, but before that, I am planning to compile a book of short stories.

Players would empty their souls to me; you cannot fathom the stories I've heard, everything from the good to the bad. I tried whatever I could to work things out.

Stories can bring alive the moral universe in a very vivid, useful, engaging way.

I like to write stories where young people have a strong feeling about something being fair or unfair, right or wrong, cruel or kind, and they act on the basis of that - often in the face of the prevailing limits of behaviour.

I wrote stories as a kid just for myself. One day, some of the kids in my class found some of my stories in my bag, and I was deeply embarrassed until I realised they enjoyed reading them.

Boys, particularly, like stories where they can have images in their imagination, where they can go to scary places and experiment with what can happen.

I like the idea of young readers using my stories as a sort of moral gym, where they can flex and develop their newly developed moral muscle.

I've always been interested in setting my stories against a big event, the importance of which my younger readers are slowly becoming aware of as they move into their teens.

I would never write stories with only despair and defeat and the dark side of life.

The type of stories I write are about young people grappling with the biggest problems in their lives, often problems that are bigger than they're actually capable of solving.

Although my stories are all very different on the surface, I like to write stories about characters struggling with big problems. I'm always reminded, no matter how different from me one of my characters is from me on the surface, how we're all pretty much the same underneath.

I know it may sound silly, but I think my short stories have a life and identity of their own. They crop up in all sorts of places.

Don may yawn at the idea, which he often does, but the great thing about Don, he has confidence in me and Mike and Ed and Leslie and Steve, that we're not going go out and do stories that will put people to sleep.

I liked to explore different arts. But when I started acting, I knew this was the medium I want to be in for the rest of my life. Stories onscreen affect me the most.

I feel more relaxed after the Oscar. I feel like I have a chance to just tell the stories I want to tell, and it's actually been really nice.

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