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It doesn't feel like work. Yes, I have days that are difficult, but I'm sitting in a chair making up stories. It's what I did for fun as a kid, whether with Barbies or stuffed animals.

My history teacher was utterly terrifying, but her lessons were very inspiring. She got me interested in people and stories, which then led me to acting.

I grew up listening in awe to stories of their wartime adventures. My granny, Joan, was a journalist and wrote amazing letters to my grandpa when he was a prisoner of war, while my nana, Mary, was a Land Girl, then a Wren. They were so independent, resilient and glamorous.

I tell 'Hansel and Gretel' stories about heroic children who are lost in a world that seems friendly at first, and then isn't.

A love of books, of holding a book, turning its pages, looking at its pictures, and living its fascinating stories goes hand-in-hand with a love of learning.

I've got five or six unpublished stories kicking around looking for somebody to buy them.

My key interest in choosing scripts is character-driven stories, because there are so many stories that sacrifice character for plot.

Les Miserables is one of my favorite stories.

That's what we do in WWE: we tell stories.

People think they have a perfect idea of who you are from a four-second Snapchat video... and fake blogs, stories, magazine covers. In reality, that's not the case. Nobody knows who I am except family and my close friends.

You can change your body shape by permitting yourself to exercise and eat a healthy diet and so on - and we've heard miraculous stories of people who have lost hundreds of pounds, and they look like a completely different person - but that's not the norm for the average person, and a lot of times, people don't get that way in a healthy way.

One of my favorite stories is, I got fired off 'Bionic Woman' in part because I was told that I don't know how to write women, and they promptly replaced me with a guy. What I find lovely about the story is how unaware the white dude who said that to me was when he said it.

I started writing poetry in high school because I wanted desperately to write, but somehow, writing stories didn't appeal to me, and I loved the flow and the feel and sense of poetry, especially that of what one might call formal verse.

Acting, music, comedy are all just delivery systems to communicate ideas and stories.

Growing up, I had a lot of family members who worked in the Dallas Independent School District, and they shared stories firsthand with me about kids stepping into the cafeteria hungry before practice, or waiting for the school building to open the next morning just so they could get a meal.

Growing up, there were not many people I trusted. There are stories for days about how my attitude was. A lot of it's true. A lot of it's not true.

The stuff that I learned on 'Sons,' the education of how to tell stories, was part of that mythology. It's hard to look at it and go, 'Oh, if I knew this, I would have done it this way,' because the fact is I like to think that all that sort of unraveled as it was supposed to.

False stories used to affect me initially. But now, I've come to understand that if false stories are created, they are also forgotten in the long run.

I always had a fascination for stories.

Telling stories comes naturally to me.

When I was young, I used to be very shy but when it came to narrating stories, I used to be very animated.

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