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Symbols are specific acts or figures, while myths develop and elaborate these symbols into a story which contains characters and several episodes. The myth is thus more inclusive. But both symbol and myth have the same function psychologically; they are man's way of expressing the quintessence of his experience - his way of seeing his life, his self-image and his relations to the world of his fellow men and of nature - in a total figure which at the same moment carries the vital meaning of this experience.
Join with those who sing songs, tell stories, enjoy life ... because happiness is contagious. Join those who walk with their heads high even when they have tears in their eyes. Avoid those who ... have never shed a tear
Perhaps lovers aren't supposed to look down at the ground. That kind of story is told in symbols-and earth represents reality, and reality represents frustrations, chance illnesses, death, murder, and all kinds of other tragedies. Lovers are meant to look up at the sky, for up there no beautiful illusions can be trampled upon.
I'd worked at a small town newspaper, and I was thinking of all the strange stories that I had seen float through the newsroom in my time there that were dismissed as kind of amusing curiosities. Somehow from that I got to this idea of an eccentric alcoholic who built a lighthouse in the woods.
The book, the idea of a book or the image of a book, is a symbol of learning, of transmitting knowledge.. I make my own books to find my way through the old stories.
The following story is one which he related recently regarding the practice of fault - finding among creeds: A frog lived in a well. It had lived there for a long time. . . .
Whatever claim you use to gain attention, the advertisement should tell a story reasonably complete.
Names which tell stories have been worth millions of dollars. So a great deal of research often precedes the selection of a name.
Better the rudest work that tells a story or records a fact, than the richest without meaning.
When I'm writing a book, sentence by sentence, I'm not thinking theoretically. I'm just trying to work out the story from inside the characters I've got.
The thing that always attracted me to New York was the sense of being in a place where a lot of people had a lot of stories not unlike mine,' Rushdie says. 'Everybody comes from somewhere else. Everyone's got a Polish grandmother, some kind of metamorphosis in their family circumstances. That's a very big thing - the experience of not living where you started.
The difference between memoir and autobiography, as far as I see it, is that a memoir is there primarily to tell one particular story, whereas an autobiography tries to be a full account of a life.
Stories in families are colossally important. Every family has stories: some funny, some proud, some embarrassing, some shameful. Knowing them is proof of belonging to the family.
Matthew Wiener on Mad Men writes the entire series before they start shooting, and if you have that, then what you can do with character and story is not at all unlike what you can do in a novel.
I'm not a very big fan of 'Slumdog Millionaire.' I think it's visually brilliant. But I have problems with the story line. I find the storyline unconvincing.
Someone asked me if I was afraid to write my memoirs. I told him: 'We have to stop drawing up accounts of fear! We live in a society in which people are allowed to tell their story, and that is what I do.'
The accidents of my life have given me the ability to make stories in which different parts of the world are brought together, sometimes harmoniously, sometimes in conflict, and sometimes both - usually both. The difficulty in these stories is that if you write about everywhere you can end up writing about nowhere.
The whole story of migration and what that has done in interconnecting the planet is obviously something I've written about a lot.
I'm not a big fan of there being voiceovers in movies. I really prefer it when the film tells it story.
I don't like books that play to the gallery, but I've become more concerned with telling a story as clearly and engagingly as I can.
Even when things are at their worst, there's a little voice in your head saying, 'Good story!'
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