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Your novels show only the tiniest fraction of detective work, the brilliant crime, the tantalizing clues, the dramatic chase, the final battle atop a lofty peak with ocean waves crashing down below, and then… justice served! If they wrote about the real world, four-fifths of the story would consist of the hero sitting in a library for months and following false leads.
Right now in American writing there is no genre as exciting as memoir - the writer can do anything, as long as it works. It's like the 1920s up in this joint. So, I'd say, experiment with how you tell the story. In the best memoir it's not the what, it's how the writer tells the what - meaning and effect through form.
A story: A man fires a rifle for many years, and he goes to war. And afterward he turns the rifle in at the armory, and he believes he’s finished with the rifle. But no matter what else he might do with his hands, love a woman, build a house, change his son’s diaper; his hands remember the rifle.
To follow Story is to understand the path of healing. Each of our stories is a universe. Each one of us is living a story. To discover its shape and essence is essential to soul making.
Stories move in circle. They don’t move in straight lines. So it helps if you listen in circles. There are stories inside stories and stories between stories and finding your way through them is as easy and as hard as finding your way home. And part of the finding is the getting lost. And when you’re lost you start to look around and to listen.
There are many different stories to tell. It's never the same. Every day weather blows in and out, alters the surface. Sometimes it is stripped down to a single essential truth, the thing that is always believed, no matter what. The seeds from which the garden has grown.
Most short stories have but one plot. The very best, however, have what I call a plot-and-a-half – that is, a main plot and a small subplot that feeds in a twist or an unexpected piece of business that ads crunch and flavor to the story as a whole.
Every story is a story about death. But perhaps, if we are lucky, our story about death is also a story about love.
Mr. Scott Fitzgerald deserves a good shaking. Here is an unmistakable talent unashamed of making itself a motley to the view. The Great Gatsby is an absurd story, whether considered as romance, melodrama, or plain record of New York high life.
Alphabet Juice is the book Roy Blount was born to write, which considering his prodigious talent, is saying a lot. Did you know that the word LAUGH is linguistically related to chickens and pie? This is the book that any of us who urgently, passionately love words-to read them, roll them over the tongue and learn their life stories while laughing and eating chicken and pie-were lucky enough to be born to read.
All of my stories are 95 percent truthful.
Story is the vehicle we use to make sense of our lives in a world that often defies logic.
You became a reader because you saw and heard someone you admired enjoying the experience, someone led you to the world of books even before you could read, let you taste the magic of stories, took you to the library, and allowed you to stay up later at night to read in bed.
My dad has a great expression. He always says, 'Tell me a fact and I'll learn, tell me the truth and I believe, but tell me a story, and it will live in my heart forever.' Interestingly enough now, my dad's story is going to be in Canton and hopefully that will live forever, too.
The unutterable violence of the Holocaust shook our confidence in the possibility of telling any story of faith at all.
The detective story is the normal recreation of noble minds.
A single prop that does not look real to an audience can louse you up. The same is true of the smallest flaw in setting up the motivation in a story line.
Reading honest literature makes you love the world. Knowledge and understanding are love. Reading educates our feelings and enhances our sympathy. When you read for understanding, you are fundamentally changed. You are a different person at the end of the story or the novel than you were when it began.
We read novels because we need stories; we crave them; we can’t live without telling them and hearing them. Stories are how we make sense of our lives and of the world. When we’re distressed and go to therapy, our therapist’s job is to help us tell our story. Life doesn’t come with plots; it’s messy and chaotic; life is one damn, inexplicable thing after another. And we can’t have that. We insist on meaning. And so we tell stories so that our lives make sense.
Don't assume that what we currently think is out there is the full story. Go after the dark matter, in whatever field you choose to explore.
I guess the language that Justice Ginsburg used at the closing of the VMI (United States v. Virginia Military Institute) case is an important thing; it resonates with me: 'A prime part of the history of our Constitution is the story of the extension of constitutional rights to people once ignored or excluded.'
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