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When there is a strong woman character in a story - that always grabs me
I write short stories when a little idea occurs to me, that I know isn't a part of a novel that will stand by itself and should be concentrated.
I wouldn't go out of my way to experience the indignity of middle-age just because it might be good meat for a story.
Stories don’t always have happy endings.
I was never a great reader, but there were two stories I loved best: Kipling's The Elephant's Child and The Jungle Book. Deep down, I've always wanted to write a book about a wild child and an elephant.
Living your life is a long and doggy business. . . . And stories and books help. Some help you with the living itself. Some help you just take a break. The best do both at the same time.
If the new movies do contradict my books in some way, I can probably come up with some hand-waving story that will explain the apparent discrepancy. If there’s one thing we authors are good at, it’s hand-waving.
That's what art is. You don't make up stories. You live your life.
As an aspiring artist, you should strive for originality of vision. Have something to say and a fresh way of saying it. No story is worth the writing, no picture worth the making, if it’s not the work of the imagination.
At this time the fashion is to bring something to jazz that I reject. They speak of freedom. But one has no right, under pretext of freeing yourself, to be illogical and incoherent by getting rid of structure and simply piling a lot of notes one on top of the other. There's no beat anymore. You can't keep time with your foot. I believe that what is happening to jazz with people like Ornette Coleman, for instance, is bad. There's a new idea that consists in destroying everything and find what's shocking and unexpected; whereas jazz must first of all tell a story that anyone can understand.
What a different story men would have to tell if only they would adopt a DEFINITE PURPOSE, and stand by that purpose until it had time to become an all-consuming obsession!
I love my job. I love fighting for what I believe in. I love having fun while doing it. I love reporting stories that the Complex refuses to report. I love fighting back, I love finding allies, and - famously - I enjoy making enemies.
But we cannot unbraid the story of another person’s life and take out all the parts that don’t suit our purposes and put forth only the ones that do.
Short stories consume you faster. They're connected to brevity. With the short story, you are up against mortality. I know how tough they are as a form, but they're also a total joy.
So it happened at last: I was about to become a thief, a cheap milk-stealer. Here was your lash-in-the-pen genius, your one story-writer: a thief.
History is only a tiresome repetition of one story. Persons and classes have sought to win possession of the power of the State in order to live luxuriously out of the earnings of others
History is only a tiresome repetition of one story.
All history is only one long story to this effect: men have struggled for power over their fellow-men in order that they might win the joys of earth at the expense of others and might shift the burdens of life from their own shoulders upon those of others.
All we have is the story we tell. Everything we do, every decision we make, our strength, weakness, motivation, history, and character-what we believe-none of it is real; it's all part of the story we tell. But here's the thing: it's our goddamned story!
The stories are what no one wants to talk about. So you make up a story because no one is going to tell you the truth.
A story matrix connects all of us._x000D_ There are rules, processes, and circles of responsibility in this world. And the story begins exactly where it is supposed to begin. We cannot skip any part.
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