After writing a story I was always empty and both sad and happy, as though I had made love.
Ernest HemingwayRead
Topic
1,727 quotes
After writing a story I was always empty and both sad and happy, as though I had made love.
I'll want to hear,' Samuel said. 'I eat stories like grapes.
There is no heaven or afterlife for broken down computers; that is a fairy story for people afraid of the dark.
The world isn't just the way it is. It is how we understand it, no? And in understanding something, we bring something to it, no? Doesn't that make life a story?
Ducking for apples -- change one letter and it's the story of my life.
A story was a form of telepathy. By means of inking symbols onto a page, she was able to send thoughts and feelings from her mind to her reader's. It was a magical process, so commonplace that no one stopped to wonder at it.
The power of a glance has been so much abused in love stories, that it has come to be disbelieved in. Few people dare now to say that two beings have fallen in love because they have looked at each other. Yet it is in this way that love begins, and in this way only.
The true story is vicious and multiple and untrue after all. Why do you need it? Don’t ever ask for the true story.
Don’t you understand?” he would say, “You imagine the story better than I remember it.
All sorrows can be borne if you can put them into a story.
Whoever survives a test, whatever it may be, must tell the story. That is his duty.
And it was always the stories that needed the telling that gave us the rope we could cross any river with. They balanced us high above any crevasse. They made us be natural acrobats. They made us brave. They met us well. They changed us. It was in their nature to.
Draw your chair up close to the edge of the precipice and I’ll tell you a story.
Whereas story is processed in the mind in a straightforward manner, poetry bypasses rational thought and goes straight to the limbic system and lights it up like a brushfire. It's the crack cocaine of the literary world.
I have claimed that Escape is one of the main functions of fairy-stories, and since I do not disapprove of them, it is plain that I do not accept the tone of scorn or pity with which 'Escape' is now so often used. Why should a man be scorned if, finding himself in prison, he tries to get out and go home? Or if he cannot do so, he thinks and talks about other topics than jailers and prison-walls?
As for what it's against - the story is against those who pervert and misuse religion, or any other kind of doctrine with a holy book and a priesthood and an apparatus of power that wields unchallengeable authority, in order to dominate and suppress human freedoms.
I have tried to remove weight, sometimes from people, sometimes from heavenly bodies, sometimes from cities; above all I have tried to remove weight from the structure of stories and from language.
We're all made of stories. When they finally put us underground, the stories are what will go on. Not forever, perhaps, but for a time. It's a kind of immortality, I suppose, bounded by limits, it's true, but then so's everything.
I used to take my short stories to girls' homes and read them to them. Can you imagine the reaction reading a short story to a girl instead of pawing her?
The first stories I wrote when I was 12 were about Mars and landing on Mars.
I think the reason my stories have been so successful is that I have a strong sense of metaphor.
Subscribe for the occasional hand-picked quote. No noise.