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I think probably I'm quite sentimental; I like big emotional stories, I like being moved by things, but I think I'm very embarrassed by sentiment. I'm very embarrassed by corniness.
War is tragedy. The great war stories are tragedies. It's the failure of diplomacy. 'War and Peace,' 'A Farewell to Arms,' 'For Whom the Bell Tolls.' Those are some of the greatest tragedies.
In independent film you tend to have stories that involve more of a community, and the smaller characters are important to the story.
There are some stories - not even stories, some feelings - that you can't accomplish in cinema without using celluloid.
I don't want to steal anybody's story. I very much want to use the stories that I hear to get lost in my mind, to tell a larger story.
The Term Paper Artist' represents two models of writing, one of the little boy bouncing his ball, generating stories for the sheer pleasure of it, and the besieged adult, writing to make a living, having to contend with a very competitive, very unreliable world in which public image counts.
Ralph Lauren is about creating stories, creating concepts that consumers want to live in. We are about creating dreams.
My job is to help my father tell stories.
I don't think there's any reason in journalism not to approach stories we cover with humility, empathy, compassion, and intellectual openness. I mean, I think those are just important human traits. I don't think that precludes scrutiny, negativity, where it's appropriate.
I've always called myself a journalist who happens to draw. If I wasn't drawing cartoons, I'd be writing stories.
The point of my stories was not to defeat Trump. The point was to tell readers the facts about this man running for president. How reliable was he at keeping promises? How much moral responsibility did he feel to help those less fortunate than he? By the end of the election, I felt I'd done my job.
Myself, I suffer from loneliness. And I think we all feel alone. I'm looking for stories that help people deal with loneliness and help them if they are monsters: they don't have to undertake monstrous actions. And maybe they're not monsters.
The Bible is filled with intriguing stories about complex and flawed human beings who ponder immense moral questions and engage in colossal clashes with evil.
I think a lot of people interested in space exploration tend to hear stories about the great missions, how they work technically, what we learned. But they don't really hear the story of what it takes to get a mission from scratch to the launch pad and into space.
It's not rocket science: The best ads tell great stories. They look and feel like the content you're already consuming. They invite you in. They make you laugh. They teach you something. They also sell.
The first brand that can purpose-build great stories for mobile, that can target in a relevant but noncreepy way and understand that it's the individual that matters, not the algorithm, is the first brand to win mobile and, possibly, the future.
I really just choose stories that are compelling, have interesting trends and characters, and hopefully say something larger about society.
I love the magic of stories and the power of stories.
A lot of the stories I write about have an element of mystery. They're crime stories or conspiracy stories or quests. They do have built into them revelations and twists. But the revelations, to me, come from seeing history as it's unfolding, or life as it's unfolding.
One of the nice things about 'The New Yorker' is they let you write stories that sometimes end up almost half a book.
When I work on stories, I tend to lose sight of everything else. I forget to pay bills or to shave. I don't change my clothes as often as I should.
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