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The multilevel, the conscious and the unconscious, is natural when I write scripts, when I come up with ideas and stories.
My favourite genre lies inside myself, and as I follow my favourite stories, characters and images, it sums up to a certain genre. So at times even I have to try to guess which genre a film will be after I've made it.
There are no war stories. I ended up a bombardier, but I never got overseas. And it wasn't because I was playing baseball either. It was just a series of things that went on.
I want to write a book of poetry, as well as children's stories.
We could fill up a whole hour's television show talking about coach's recruiting stories, I love them, they're the best.
There are a lot of guys in those SmackDown and Raw locker rooms that, given the opportunity, I'd love to have matches with, tell stories with, and do stuff with.
RuPaul's Drag Race' is truly people telling their own stories. It's an amazing show.
Sure, women sportswriters look when they're in the clubhouse. Read their stories. How else do you explain a capital letter in the middle of a word?
A whole bunch of agents and editors looked at my stories, and they all said, in effect, 'You're a pretty good writer and you should probably get these published; when you grow up and write a novel, get in touch.'
The stories are there first, and they come from my experiences wandering around in the world. They will resonate into bigger things, forces sweeping the planet, themes and archetypes, but I'm not smart enough to have lucid integration of all that in my head as I'm writing.
I had an idea in the beginning to do a book about some of the events that I had covered, just various stories that I've covered. Reporters spend a lot of time telling each other tales about how they covered stories, and that's what this book started out to be.
I don't feel scared about death, I just feel so frustrated and sad to think I won't see how stories end. My children's story. My wife's. The football. All the stories going on in the world that you're going to miss the end of.
I continue to enjoy looking for stories, and trying to do the best job I can reporting and writing them.
I live in constant anticipation of good stuff. It's not being 'Pollyanna' about things, but most stories don't have the ending we would give them right away. The better endings come later.
I think we're doing the right things for the right reasons. We're not doing it to sell products. We're not doing it to be popular. We're doing it because in our judgment these stories are important to do, and at this length and this much depth.
Punjabi culture is very strong and we have thousand of stories, which can be turned into films to keep our generations rooted in the culture.
'The Skeptical Environmentalist' was much more the idea of the scientific argument of realizing that we need to be skeptical about a lot of these stories that we hear and to put them in context.
As a child, I was a brat, and my parents didn't know how to control me. So they told me ghost stories, which stayed with me. I am still petrified of darkness and being alone.
I realize how much my life lines up with artists like Marvin Gaye and Sam Cooke. My sound comes from church, but the stories come from actual personal experience, being out there in the streets living life.
I started writing really early on, and my brother Jordan was my first audience. I would come up with scary stories to tell him at bedtime.
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