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A lot of coaches want to get an idea, especially when they're getting to know players, what kind of stuff they like to run, what they're comfortable running, what they're good at. I think that's important.

I certainly always do draw upon stuff in my life. You do that instinctively as an actor.

What drives 90 percent of stuff is not the small tactical decisions or the personal relationships but the big, macro political incentives.

I did a play, back in the day, called 'Sucker Punch,' and it meant so much for me. I was 21. And I went, 'I just want to do work like that.' Stuff I believe in. And when I have compromised, I've never really felt good about it.

Loads of stuff that I've done has always had a hint of comedy. I did this show called 'Psychoville' that's a horror-comedy. Because I just think that's what life's like.

Ghost! I miss him! Is that weird? I miss him even though I invented him. I feel a lot of tenderness toward him. I don't write a lot of stuff that is sad or that is tender and affectionate, so that has a very special place in my heart.

I still don't believe I'm a Manchester United player, it's the stuff you dream of.

Creating stuff is hard. But, if that terrifies you, you will just be numb, and you better just stay at home and watch TV and do something else. Move into the woods and live with the trees.

But with two boys and a new puppy, we don't get out much. We're usually home doing stuff together as a family, like watching 'Modern Family.'

There are a lot of things that are part of the music business that I'm very bad at. Organization, being on time - the stuff you need in order to function in the regular world.

Reach, and all that other stuff, doesn't play as big a part in MMA as it does in boxing. Guys don't really fight with their length all that much, because they have to worry about the takedown or kicks. They have to worry about so many other things that they can't just fight real tall.

My diet is very kale-heavy. It's so nutrient-dense. I stay away from fake processed stuff.

That's the biggest part of doing comics: You have to create stuff that makes you want to get out of bed every morning and get to work.

I think probably the thing I'm worst at is the most ephemeral stuff, like blogs. I find it really hard to write. And I'm often been asked to write columns for papers in Peru. And I can't. I would die. There's no way I could write a column.

I hired a full-time chef, so I wasn't taking that time to order pizzas or eat Wild Wings or stuff like that. I travel somewhere, I'm gone for a long period, I have a chef. I think that elevated my game.

For me, for the type of addict I am, when I start getting those swirly thoughts and stuff, and they talk about slippery places, slippery people and slippery things, you know, I need to - I needed to take my cell phone and eliminate all the phone numbers, change the phone numbers so no one I knew before could call me or reach me.

The amount of negativity I hear on a daily basis is unbelievable. But that's the kind of stuff you have to tune out, focus, stick with your vision and keep plugging every day.

You Americans, you have no idea how much your stuff infiltrates the rest of the world!

Actors may not realize the extent of their own power. Acting is creation. It's them bringing their own stuff, letting it marinate in their soul, in their creative engine.

I've never been interested in diarising my life through song. So much stuff has been done before. So many people have brilliantly articulated the pain of heartbreak or the joy of love or whatever. Those elements exist in our music, but I guess I strive to write about unconventional things instead.

There's definitely a couple of people I'll play stuff to when it's nearly finished just to see what they think; Mark, our producer, his wife is Australian and just listens to the radio - she's awesome - and, I guess, is quite a casual music listener.