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People don't understand that, when I was at WCW, if I wasn't wrestling that night, I was down at the Power Plant teaching. I was teaching people how to do stuff, but every time you teach someone, you learn more. The more you learn, the more you teach. The more you teach, the better you get.

I've fixed hard problems of all kinds, civil rights and business problems. It's the stuff I like to do, and I'm good at it, as a matter of fact... and I never left my conscience at the door.

I always loved singing. No matter where I was, I would just make up my own stuff.

Even when I went out to L.A. for the Chargers game, there was a couple guys there that had some kind of Duck stuff on, so I kind of expected it coming back to Heinz Field.

You can't sing about the same things as you did when you were 20; it would be ridiculous to sing about, I don't know, being in the quad. You can't really write about mortgage payments or stuff like that... but you can talk about 'let's make the world a better place.'

I'm pretty strict with videos, at least the imagery stuff.

I don't really care about audio quality. If people saw some of the ways that I record stuff, they'd see I don't care in that respect. I obviously care about things sounding good, but I think quality exists through other things like emotionally connecting with a lyric or a feeling, or whatever.

Out in Utah, it's chill, laid-back. There's not a lot of rah-rah stuff going on. You can focus on your job, your career, whatever else you have going on.

When you first come in the league as a big man, they tell you to be physical down there. No layups, all that kind of stuff. So you have to buy into it, because you think it's going to get you more playing time. But it really just gets you more foul trouble.

Playing all of these games, getting to know everything about the NBA, you realize that you are your own business. You have business meetings to go to, signings to go to. Like, I'm only 20, but the stuff I'm doing the average 20-year-old isn't doing.

The stuff that I do and enjoy is normally quite similar to a lot of the stuff that psychics and spiritualists would enjoy themselves. I just have a different approach to wanting to find out how things really work, or a sense of, I guess, responsibility about honesty and so on.

I made my third parole and I believe if I had made it the first time, I wouldn't be here today. I still would've been out there doing stupid stuff.

I've been through so much stuff that I hope even my enemies wouldn't have to go through.

A lot of people said I would never make it, and this and that, I'd never be a top 10 fighter, that I'd never fight for a title. Just stuff like that. Achieving all those goals and being the person that I am, this is going against everything everyone said I couldn't do.

Making a film is like making a mixtape. You're collecting all this stuff and putting your favorite stuff into it: you have actors that you like, characters that you're interested in, moments you want to explore, themes you want to deal with, music that you want to put in. It's a pastiche of all these things that deal with how you see the world.

I don't really collect anything. I grew up in a family that collected things, and then they'd get sick, and people die, and then they have their basements full of stuff that goes from one box to the next, so I try not to get sentimental with stuff. I just try to collect memories; I guess that would be it.

I've never done any cross-party stuff. I've no interest in sitting down discussing pensions or whatever with Tories.

Atlanta has always been one of my favorite places to come and get down. I don't come through a lot because I'm always filming and doing stuff, so when I come through, I come through.

I judge movies on how much fun I had while I was doing them. I had a great time on 'The Right Stuff.' Doing that was fantastic. And there was the year I did 'The Rookie' and 'Far From Heaven,' which was amazing because those two different roles were just so far apart.

You can't expect somebody to speak out on a certain subject. If they want to say something about it, then say something about it. But artists have a choice. It's their choice. I choose the stuff I talk about, but it's not my responsibility to do it.

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