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Every company has its style, and that's what makes the Bolshoi so impressive: their attack on jumps or their attack on choreography.

The style is the same at all levels, which facilitates things: bring the ball out from the back, keep possession, work gaps to create chances. It's like that from the Under-15s all the way through. That's the Spanish way, and it has triumphed.

There are definitely confines within the style of Disturbed that we needed to stay true to, but we've always pushed that envelope. We always continued to develop with each successive record.

We wanted to create an environment where if a game player enjoyed the 'writing style' of a particular game designer, he or she could look for the next game by that same author and not be disappointed.

I think it's always challenging to look at a script and make it your own while maintaining the sense of what the style of the show is.

I feel like I see more and more Neapolitan style, that I call 'fancy pizza' - that's not my cup of tea; I think it all tastes the same.

I'll never give up my style.

The whole point in developing your own style is to find your own voice.

My dishes tend to have a very carefree style: what's ripe at the farmers market or what's in my fridge, even if I'm cleaning out my fridge. It tends to be a very improvisational style. I major in salads, but a loose definition of salad; it can have a real robust skirt steak on top of it off the grill or quinoa or buckwheat or sprouted almond.

I'm Dario Argento, and my style is something recognizable I think by the audience.

Films are dreams. Many, many critics say to me that my films are not good because they are too unbelievable, but this is my style. I tell stories like they are dreams. This is my imagination. For me, it would be impossible to do a film that is so precise, that resembles real life.

With movies, they have a certain person or style that they're looking for. It's not that they don't like you, but maybe you're not the person that's right for their movie. That happens a lot.

A good writer knows that if her style and perceptions are really cooking, she can bring anything off. It's okay, of course, for novelists to depict bland, average families living bland, average lives in bland, average towns. But it isn't okay when those novelists don't outshine their bland, average subjects.

My style is difficult to contain in a sentence; it's ever evolving. Generally I'm drawn to clean cuts and avoid patterns. I tend to choose structure and block colors, but these are all just loose guidelines.

I think me leaving Detroit shaped my style. Me leaving, going to New York, going to L.A. and seeing what they were doing there. I think that inspired me more than what people were doing back home.

My game style is probably not the flashiest, but that's because I want to win.

Retaining a sense of control is really important. I like to do things in my own time, and in my own style, so an office with targets and bureaucracy just wouldn't work.

As a footballer, you're stuck in a uniform - either in team kit or a team suit. I don't really get to show my personality in my job, so style is a chance to show people part of me they don't often see.

Rarely is it correct to play a hyper-aggressive style of poker. But there are certain situations where a seemingly reckless approach will actually be the most profitable strategy to employ, like at the Main Event at the World Series of Poker.

I wanted to try every style available to me - large productions, small productions, studio films, low-budget. You just can't sit around and wait for every big-budget film to come along.

Part of the Hong Kong style is the fact that a lot of the performers can perform the moves, and we don't over-rehearse this stuff.

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