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As I aged and I got stronger artistically, I really started to value my voice in performance - my 'voice' meaning my body, my technique, and my style. Then I started to really feel that flower as well. That's when I started to feel like, 'Wow - now I understand what my beauty is.'
I can be collaborative, for instance, in situations where I go and study the artist's work before I start writing. Then I can at least try to write towards their style.
For the longest time, I was trying to be DJ Shadow, I think. But I slowly developed my own style. It was trial and error, for sure.
I think because people can't understand our style, they think it's a joke. Our music isn't intellectual - we make music for the common man.
Ever since I was a teenager, my style around girls has been kinda like 'laid back in da cut.'
I would have enjoyed Twenty20. A couple of things: it would have suited my batting style, and of course, it would have suited my bowling too. Because you need a lot of varieties in Twenty20.
The 'chinked out' style is a school of hip hop - that's the way I like to think of it - that incorporates Chinese elements and sounds.
Personal style? I don't really believe in that. Whatever is comfortable.
Hip-hop is all about impact, baby. You can sell records, you can be two-times platinum, you can be gold... but if you lame, you lame, man. We try to provide the exact opposite of that. It's style, individuality, confidence. We exude that.
Jazz infers a style, but creative music has a wider field and wider specification about it. We know it from people like Scott Joplin and on through Bessie Smith.
People might get mad at my style or my delivery and say it's not country. But the country music that brought me to Nashville? Man, I will always have that on a pedestal.
I like Lil Wayne's style. His style probably influences me the most. Basically, he's just wearing exactly what he feels like wearing. He goes to the club, and he's got shorts and a wife-beater on. That shows you what type of celebrity he is and what he is able to pull off, fashion-wise. I try to be in that same lane.
All my stories are webs of style and none seems at first blush to contain much kinetic matter. For me style is matter.
Diane Kruger has a really chilled-out sense of style. It has a Parisian feel and isn't overly girly.
I never had a particular brand of comedy, nor did I follow a particular style.
I like Robo Shankar - he evokes laughter, he has a unique body language and style. I loved all scenes of his in 'Maari.'
I'm not really into style. I'm more into confidence or having something to say.
My style is to never say no.
For me, I analyze the modern girl, the girl that I'm friends with, and they're empowered: They pay their own bills. They have their own style. They wear clothes - the clothes don't wear them.
As for my batting, the best part about it is I have never changed it. I have never changed my thinking, I have never changed my batting style.
I have matured in my shot selection but will not discard my style. I don't believe in wasting balls.
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