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Ever argue with a female and, in the middle of the argument, you no longer feel safe because of her actions? She may start pacing back and forth real fast, breathing out her nose. You know what my girl do? When she get mad, she start talking in the third person. That's scary as hell because that's her way of telling me that from this point on, she is not responsible for none of her actions.
If a film isn't really talking about who we are and what our psychologies are, then we're probably not that interested in it, actually.
I've never liked talking about my personal life, ever. Ever since I was 20, I've lived in a kind of public arena; and there have been stalkers, blackmailers, death threats, physical violence and threats to friends of mine, colleagues of mine, to myself.
Its difficult to do a genre film well, and it doesnt matter if youre talking vampire movies or Dawn of the Dead or The Thing or Escape From New York. Those kind of movies, they understand what the old-school B-movie is supposed to be, they get the throwback of it.
This isn't CM Punk talking to Triple H, this is Phil Brooks talking to_x000D_ Paul Levesque
I have fame on the level of a Marilyn Monroe or an Elvis Presley, but part of the reason I didn't go the way they did was because of my beliefs. People make judgments about Scientology, but often they don't know what they're talking about.
Quickly you learn it's way better to have fans talking and caring about you than not.
I know I probably offend some people. I have been talking a little too much so I'm trying not to talk as much.
I don't know why I always end up talking about my relationships. I try not to.
My husband and I try to spend some time every night that I'm home talking without distractions.
The only thing I'm nervous about is talking to guests like human beings, because all of my interviews so far have been attacking people. I have a genuine concern about sitting across from an actor whose movies I obviously haven't seen.
In France I'm very private, I don't like talking about my life, and I imagined that people would think that I'm now an open book.
The key to acting has much more to do with listening than with talking.
I buy water at the liquor store across the street from where I live. So I'm walking into the door, and standing, loitering, outside the door is a man. And I walk by him to go in, and he says, "I want pussy!" Now, I don't want to seem conceited or anything, but he was talking about me!
I always feel I am in the dark. You are never finished... it is not as if you can look back and think: ah... I know what I am talking about. You are only as good as your last job and are always struggling and striving and you never quite get to where you want to be.
Brokeback Mountain' just blew me away. I'll always remember talking to Heath Ledger just after he finished that movie and he was going on about working with Ang and how incredible he was.
I think people think celebrities get babies really easily, like Angelina Jolie, but they don't hear about the ones who aren't successful because we don't like talking about it, it's too painful.
It's certainly a lot more difficult to get a project made if you're talking about something progressive. That's just the nature of the industry.
My grandmother taught me that accomplishments meant less than what you left behind. I started to ask myself what impact my comedy would have on people's lives. And that changed my act. I got cleaner. I stopped talking about generic stuff like airplane peanuts and started speaking the truth about my gift.
In the old days, when a star left a still-thriving hit show, they'd celebrate by killing him or her off. But 'The Office' dispatched Michael Scott in a crueler and more final way: they made him normal. Since we're talking about Michael Scott, 'normal' might be stretching it, obviously.
I just don't want to live like I used to. And at some point, I'm going to put a gag order on myself in terms of talking about the past. I've got to slam the door and deal with the present and the future.
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