When I started out in comedy, it was common knowledge that it took about 10 years to get good. And that was okay because it took you about 9 years to get on television.
Chris RockRead
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When I started out in comedy, it was common knowledge that it took about 10 years to get good. And that was okay because it took you about 9 years to get on television.
I find television, and particularly live television, very romantic: the idea that there is this small group of people, way up high, in a skyscraper in the middle of Manhattan, beaming this signal out into the night.
I wish that television would stop selling our hatred of ourselves, and start seducing us with our love of ourselves.
I take inspiration from books, movies, television, music - it all goes in the hopper. Depending on the project, I'm drawing from this or that piece of art that has stayed with me. Toni Morrison, George Romero, Sonic Youth - they are all in there.
A lot of people want to retire; I couldn't. You don't retire in our business. What, play golf and watch television? Oh, please.
I think the love-hate is fundamental. Everyone hates reality television, and everyone's watching it. Everyone hates Facebook, and everyone is on it.
My mother always kept library books in the house, and one rainy Sunday afternoon - this was before television, and we didn't even have a radio - I picked up a book to look at the pictures and discovered I was reading and enjoying what I read.
If you are interested in ideas, radio is way more pure than television. You're not distracted by somebody's nose or hair or posture. You can really see how someone thinks and penetrate to the essence of who that person is.
Writing for television is completely different from movie scriptwriting. A movie is all about the director's vision, but television is a writer's medium.
Drama's not safe and it's not pretty and it's not kind. People expect the basic template of television drama where there might be naughty villains, but everyone ends up having a nice cup of tea. You've got to do big moral choices and show the terrible things people do in terrible situations. Drama is failing if it doesn't do that.
I think there's a lot of anesthesia being - that's been pumped into American culture, the mass media television, various forms of entertainment, and the illusion of wealth that we now understand to be an illusion as well as the illusion that America is a world power.
I have friends who I consider my peers, who have done amazing work, particularly in the film and television space, who came up as independent artists and who have been - to be brutally honest - much more prolific than I was able to be.
I wonder: Would there be a black president if people hadn't already begun imagining, through film and television, that a black man is president? It's self-actualization.
When you reach a certain age, and people see you on television, they look at you and think, 'Wow! Everything must be great!' Well, everything isn't always great. You can be hailed on the street corner, but you still have to go home and take out the garbage.
We cannot allow situations where leaders threaten war on television or on Twitter.
The power of story and the power of a well-crafted film or television show is really all you need to speak to people. I think Hollywood is sort of catching up to that.
I've been on the wrong end of violence, and I've done violence myself... I refuse to glorify violence in my movie and television roles.
Television is the Antichrist, and I can assure you after only three or four generations, people will no longer even know how to fart on their own and humans will return to medieval savagery and to the general state of imbecility that slugs overcame back in the Pleistocene era. Our world will not die as a result of the bomb...it will die of laughter, of banality, of making a joke of everything and a lousy joke at that.
What the mass media offers is not popular art, but entertainment which is intended to be consumed like food, forgotten, and replaced by a new dish.
One of the few good things about modern times: If you die horribly on television, you will not have died in vain. You will have entertained us.
Television enjoys a de facto monopoly on what goes into the heads of a significant part of the population and what they think.
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