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Acting is a sport. On stage you must be ready to move like a tennis player on his toes. Your concentration must be keen, your reflexes sharp; your body and mind are in top gear, the chase is on. Acting is energy. In the theatre people pay to see energy.
An actor must interpret life, and in order to do so he must be willing to accept all experiences that life can offer.
You don't merely give over your creativity to making a film - you give over your life! In theatre, by contrast, you live these two rather strange lives simultaneously; you have no option but to confront the mould on last night's washing-up.
The basic essential of a great actor is that he loves himself in acting.
The audience is the most revered member of the theater. Without an audience, there is no theater. Everything done is ultimately for the enjoyment of the audience. They are our guests, fellow players, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.
In the theatre we reach out and touch the past through literature, history and memory so that we might receive and relive significant and relevant human qualities in the present and then pass them on to future generations.
An actor is at his best a kind of unfrocked priest who, for an hour or two, can call on heaven and hell to mesmerize a group of innocents.
Acting is half shame, half glory. Shame at exhibiting yourself, glory when you can forget yourself.
Talent is an amalgam of high sensitivity; easy vulnerability; high sensory equipment (seeing, hearing, touching, smelling, tasting intensely); a vivid imagination as well as a grip on reality; the desire to communicate one's own experience and sensations, to make one's self heard and seen.
Actor training should be broadly humanistic, involving the study not just of dramatic literature and theatre history, but of languages, literature, and history generally, and should be centered on acting in plays rather than just exercises, improvisations, monologues, or even scenes.
Theatre, in which actors take on changing roles, has among its many functions the examination of identity. For the individual, theatre is a kind of identity laboratory in which social roles can be examined vicariously.
I love acting. It is so much more real than life.
The most difficult character in comedy is that of the fool, and he must be no simpleton that plays that part.
Acting in theatre or television or screen is only for the irrecoverably diseased, those so smitten with the need that there is no choice.
Acting is standing up naked and turning around very slowly.
An ounce of behavior is worth a pound of words.
The drama's laws the drama's patrons give._x000D__x000D_For we that live to please must please to live.
Theatre can't be done again and again and again and again - it's organic.
The roles for women in theatre are much better than they are in film.
My experiences in film and theatre in the States have been much more rigorous-in England there's an environment of, Let's try this.
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