Send me out into another life lord because this one is growing faint I do not think it goes all the way
W. S. MerwinRead
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Send me out into another life lord because this one is growing faint I do not think it goes all the way
There's a storm inside of us, a burning river, a drive. You push yourself further than anyone could think possible. You are never out of the fight.
But if you've really learned how to think, how to pay attention, then you will know you have other options. It will be within your power to experience a crowded, loud, slow, consumer-hell-type situation as not only meaningful but sacred, on fire with the same force that lit the stars - compassion, love, the sub-surface unity of all things.
Part of the reason that these attempts at explanation fail, I think, is that photographers, like all artists, choose their medium because it allows them the most fully truthful expression of their vision... as Robert Frost told a person who asked him what one of his poems meant, 'You want me to say it worse?'
I enjoy the speed of fashion. I love doing different things and I think I still have something valid to say in fashion.
I was taught that the human brain was the crowning glory of evolution so far, but I think it's a very poor scheme for survival.
The President is the last person in the world to know what the people really want and think.
Doctors, dressed up in one professional costume or another, have been in busy practice since the earliest records of every culture on earth. It is hard to think of a more dependable or enduring occupation, harder still to imagine any future events leading to its extinction.
He was near tears, 'Who do I blame?' he kept asking me. 'There is no God.I can only blame myself.'" The Reb's face tightened, as if in pain. "That," he said, softly, "is a terrible self-indictment." Worse than an unanswered prayer? "Oh yes. It is far more comforting to think God listened and said no, than to think that nobody's out there.
But if you're talking about fine art work, then I think you have to ask yourself some pretty deep questions about why it is you want to take pictures and what it is you want to say.
I think one of the defining moments of adulthood is the realization that nobody's going to take care of you. That you have to do the heavy lifting while you're here. And when you don't, well, you suffer the consequences.
We are only midway through the central verse of our youth when we see ourselves begin to blacken. ... We had been seduced into thinking that we were immortal and suddenly the affair is over.
All I try to do is portray Indians as we are, in creative ways. With imagination and poetry. I think a lot of Native American literature is stuck in one idea: sort of spiritual, environmentalist Indians. And I want to portray everyday lives. I think by doing that, by portraying the ordinary lives of Indians, perhaps people learn something new.
Though we may now think some sins light and little, if the Lord awaken the conscience, we shall feel even the smallest sin heavy upon our souls.
I think pictures and words have the power to make us rich or poor.
Our passions, when well exercised, have wisdom; they guide our thinking, our values, our survival.
I wanted, I think, to acknowledge Luck: the chance of it, the benevolence of it in my life, and the brutality of it in the lives of others; made especially savage for children because they may not be allowed the good fortune of a lifetime to correct it.
Am I embarrassed to speak for a less than perfect democracy? Not one bit. Find me a better one. Do I suppose there are societies which are free of sin? No, I don't. Do I think ours is, on balance, incomparably the most hopeful set of human relations the world has? Yes, I do.
We try to organize the world, which isn't organized the way our brains want to organize it. We tell stories about the people in our lives, we project ideas onto them. We project relationships with people, we make our lives into stories. I don't think we can avoid doing that.
Hegel seems to me to be always wanting to say that things which look different are really the same. Whereas my interest is in showing that things which look the same are really different. I was thinking of using as a motto for my book a quotation from King Lear: 'I’ll teach you differences'. ... 'You’d be surprised' wouldn’t be a bad motto either.
There really is no such thing as a sick child; there are children who happen to be sick. Think about it, and you will understand the magic of the Camps
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