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Cancer is the ultimate nemesis that hangs in the balance for one in three women and one in two men in their lifetime.

I have had with conversations with Mark Benton and Ben Cohen - three fellas sitting with a pint discussing the cha-cha-cha and the correct leg position for a foxtrot.

Building relationships. Communicating. Trust. Those are three things I've kind of instilled myself with.

After the first three or four years of me taking rap seriously, it started to look more promising. I started booking shows and more people were playing my music, so I starting believing this could actually work for me.

You know, Nirvana used to start rehearsals with the three of us just jamming. For, like, a half an hour, just noise and freeform crap - and usually it was crap. But sometimes things would come from it, and some songs on Nevermind came from that, and 'Heart Shaped Box' and stuff on 'In Utero' just happened that way.

There's going to be a Google or a Facebook or a Zynga every three to five years. Those are really big ideas that do return substantial amounts of money.

I was at a party in Alexandra Palace tobogganing on the ski slope, got whiplashed at 40mph, put my hands out to balance myself, and three fingers got caught in the artificial snow. I broke four knuckles. I have not drummed since.

Elvis Presley invited me to Las Vegas for one night but we got on so well that I stayed for three.

I had been struggling to get roles in Hollywood for three and a half years after leaving the WWE. Then I finally got an agent - the agent I have now. He's a great guy, but he turned me down three times before he even decided to take me on a as a client.

'Hound Dog' is a really short record, and most singles didn't last three minutes.

Three and a half years in L.A. was enough for me. I would love to go back for short bursts if a film opportunity came up, but it's a unique place, and you can reach saturation point. For me it was a place where creative desire and ambition meets desperation. It's in the air; it's palpable - I just didn't want to be around that.

I went to college and did theatre. After that, I spent about three years in Seattle doing French theater and community theater and sorting it all out. Then I applied to graduate school and got accepted, so I started pursuing my master's in theatre at the American Conservatory Theatre in San Francisco.

A little before my 10th birthday, I was like, 'Can I please have a puppet, Mom and Dad?' They were like, 'No. You are a singer, not a ventriloquist. You have three brothers, and you're in gymnastics. There's no way we have time for this.'

Three things can happen when you pass and two of 'em are bad.

If I was money-motivated, I wouldn't have joined a rock band with three other Armenian guys.

I think the hardest thing to reproduce, though, is the g-forces. When you turn a corner and all of a sudden you have three, four, maybe even five times the force of gravity pushing against your body, it's literally trying to push you through the side of your car. There's no way to duplicate that feeling.

I have my three pace cars, I have two Corvettes and a Camaro from three years, I have one 65 Sport Fury pace car from the year that Jimmy Clark won. But Porsches and Ferraris are the main thing.

My father had to go back to Iran to take care of his father when I was 13 and was detained for six years before returning. My mom was raising three kids without a dad.

The Blossoms had gotten so we were working seven days a week, three or four sessions a day, which was literally killing us, physically. With the instruments that the musicians play, they can do that, but not with us using our voices.

When I said I wanted to walk away from football, people think I was just talking about the two or three incidents that have happened on the pitch.

I spent three and a half years writing the novel 'Chang & Eng,' about the conjoined brothers for whom the term 'Siamese twins' was contrived, and when I think of these afflicted people, my only emotion is one of profound sympathy.

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