Maybe we're grass—our roots so interdependent that no one is dead as long as someone is still alive.
John GreenRead
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180 quotes
Maybe we're grass—our roots so interdependent that no one is dead as long as someone is still alive.
We don't suffer from a shortage of metaphors . . . But you have to be careful which metaphor you choose, because it matters.
Before any of it could make sense, it had to be heard.
sure, we need the gypsies. we always have. because if you don't have someone to run out of town once in a while, how are you going to know you yourself belong there?
She loved mysteries so much that she became one.
A little bit of this town goes a very long way. After five days in Vegas you feel like you've been here for five years.
Hackberry Holland's greatest fear was his fellow man's propensity to act collectively, in militaristic lockstep, under the banner of God and country. Mobs did not rush across town to do good deeds, and in Hackberry's view, there was no more odious taint on any social or political endeavor than universal approval.
She had the kind of fingers you want to interlace with your own.
To country people Cows are mild, And flee from any stick they throw; But I’m a timid town bred child, And all the cattle seem to know.
And in general, the residents of the town wondered why they all felt hollow just beneath the throat, the result of missing something they had never been able to name in the first place.
When what we see catches us off guard, and when we write it as realistically and openly as possible, it offers hope. You look around and say, Wow, there's that same mockingbird; there's that woman in the red hat again. The woman in the red hat is about hope because she's in it up to her neck, too, yet every day she puts on that crazy red hat and walks to town.
The tyranny of public opinion (and what an opinion!) is as fatuous in the small towns of France as it is in the United States of America.
They entered there into the unconscious philosophy of the town; that life was an incomprehensible marvel, since it was incessantly wasted and spent, yet none the less it lasted and endured 'like the bridge on the Drina'.
Every morning the world flung itself over and exposed the town to the sun.
No, this is not a good town for psychedelic drugs. Reality itself is too twisted.
Isn't it also that on some fundamental level we find it difficult to understand that other people are human beings in the same way that we are? We idealize them as gods or dismiss them as animals.
I want to yell so loud that Baby Girl can hear me that dirty ain't a color, disease ain't the Negro side a town. I want to stop that moment from coming - and it come in ever white child's life - when they start to think that colored folks ain't as good as whites. ... I pray that wasn't her moment, Pray I still got time.
While I can’t have you, I long for you. I am the kind of person who would miss a train or a plane to meet you for coffee. I’d take a taxi across town to see you for ten minutes. I’d wait outside all night if I thought you would open the door in the morning. If you call me and say ‘Will you…’ my answer is ‘Yes’, before your sentence is out. I spin worlds where we could be together. I dream you. For me, imagination and desire are very close.
Where I went in my travels, it's impossible for me to recall. I remember the sights and sounds and smells clearly enough, but the names of the towns are gone, as well as any sense of the order in which I traveled from place to place.
You lie, in faith; for you are call'd plain Kate, And bonny Kate and sometimes Kate the curst; But Kate, the prettiest Kate in Christendom Kate of Kate Hall, my super-dainty Kate, For dainties are all Kates, and therefore, Kate, Take this of me, Kate of my consolation; Hearing thy mildness praised in every town, Thy virtues spoke of, and thy beauty sounded, Yet not so deeply as to thee belongs, Myself am moved to woo thee for my wife.
Towns are like people. Old ones often have character, the new ones are interchangeable.
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