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What I loved about my partnership with 'Quarterly' was the fact that it bridges the online world with the real world. Sometimes we see these two worlds as separate entities, and to be able to establish a bridge is very exciting.

I had to always decide - am I playing Will in the scene, or is it the monster, or is it a little bit of both? I had to show two different sides of one person in a scene. They were definitely very opposites, because Will is this sweet little innocent sort of kid, and the monster is fierce; he's intense. You really have to show both sides.

I had six brothers, we used to fight for breakfast, for food. I'm not going to be scared by anyone with two arms, two legs and a heart.

Trespass, the outdoor clothing company based in the South Side, is run by two of the nicest guys and proudest Glaswegians you could meet, Afzal and Akmal Khushi.

You had two men who knew the exact same thing, which is Russia did meddle in the elections. I think President Trump wanted to make sure that President Putin was aware that he was acknowledging it, that he knew it. I think President Putin did what we all expected him to do, which was deny it.

If I want to detox, I'll do the juicing thing for sure. I'll have two juices and then a solid meal for either dinner or lunch.

There are two completely different Britains. There's London, and there's the rest of Britain. Attitudes are very different.

I wanted to get a formal training before entering the film industry, so I moved to Mumbai. I stayed there for two years, got training and gave two auditions.

My brain has so many qualities that do not work with social media. I'm an overthinker, I'm overly private, and those two personality traits just do not work when it comes to Instagram.

Oscars are won with two or three shots only, because if it's really beautifully photographed, you don't really notice it until the astounding moment emphasizes it.

I try to make two movies a year. To me, that's not too much. On top of that, I like to work.

What I'm resistant to is the 'Walk the Line' biopic, where you have this redemptive life done in two hours. It just doesn't wash with me. I've been there and things don't work out that way.

I've spent quality time in the aerospace community, with my service on two presidential commissions, but at heart, I'm an academic. Being an academic means I don't wield power over person, place or thing. I don't command armies; I don't lead labor unions. All I have is the power of thought.

I feel that the industry can be sliced into two categories - grateful actors and non-grateful actors. I'm always so appreciative that this has happened for me - and against all odds - as a middle child from Canada. I'm very grateful.

Our daughter was not damaged or hurt in any way. She was simply relinquished to foster care by two people who were not ready to be parents. I admire them for giving her the chance for a better life. And I am grateful they gave my husband and me the opportunity to be parents.

My two great fears are either not working or working on something that means you can't do something else you really want.

Revolutions come in two stages: the bit where everything gets smashed and the bit where you have to build it again. The first is great fun; the second is so very hard.

It's really great to see the queer landscape really change to include everybody and make the rest of the world understand that we're not just one or two things. There's so much about the queer community that needs to be represented.

I would never, ever call myself a createur or a designer. I'm more of an amalgamator or a D.J., taking two things that don't go together and making them go together.

Privacy is important to me. But it's not just about sticking two fingers up and saying I don't want anyone to know my business. It's an artistic choice. I think that for any actor to convince their audience that they have completely inhabited a character requires a certain level of anonymity.

No two mothers are the same.