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As an actor, you're trying to capture the nuances of real life, but voice work is almost over-acting.
If you're a singer you lose your voice. A baseball player loses his arm. A writer gets more knowledge, and if he's good, the older he gets, the better he writes.
Years and years of therapy taught me to speak up because speaking up is what gets things done and gets your story and your voice heard.
I think without a doubt there will never be a voice like Judy Garland.
I didn't want to be short. I've tried to pretend that being a short guy didn't matter. I tried to make up for being short by affecting a strut, by adopting the voice of a much bigger man, by spending more money than I made, by tipping double or triple at bars and restaurants, by dating tall, beautiful women.
I tried to make up for being 5 ft. 3 in. by affecting a strut and adopting the voice of a much bigger man... dating tall, beautiful women... But nothing I could do, after Ava had left me, would add a single inch to my height.
You don't get to choose your voice! I was never like, 'Oh, I'll take the voice that causes dogs to gather outside.'
One of my favorite things, as a critic, was finding books by new writers who possessed a distinctive voice and vision, an inventive gift for storytelling. I also loved immersing myself in works of nonfiction that taught me something about the world, that made the past come alive or shed light on hidden corners of history or the news.
I really like Billie Holiday's husky voice, and I'd definitely like to find out more about her.
People who get to express their voice are paid by the people who make profit from it. So they're going to make you believe you have to spend your money buying these products otherwise you won't be happy. This is really wrong. Especially the implication it carries.
It's a wonderful acting challenge to tell a story and convey emotion with only your voice.
Everybody you work with has their own voice, and if you do your job well enough, even their closest friends or their partner of 40 years isn't going to recognise the fingerprints of a ghostwriter.
I respect Rush Limbaugh; he is a national conservative leader, and in no way do I want to diminish his voice.
I do not separate Christ from God more than a voice from the speaker or a beam from the sun. Christ is the voice of the speaker. He and the Father are the same thing, as the beam and the light, are the same light.
You develop a voice and a process that's unique to yourself.
I was very bad at projecting my voice. I used to do this Gumby Flower Arranging sketch which involved shouting, and I could never do it right, and at one point my voice went completely.
Only two things change when you get older: the energy in your voice and the time of night you feel it's appropriate to call someone. In your 20s, people call at 2 a.m. and yell, 'Are you up?' into the answering machine. Now, someone calls after 8 p.m., and my boyfriend is like, 'Who is that? Who could be calling at this hour?'
Given this voice, I know it does sound like I've come from money. But my dad was Canadian and my mum Hungarian, so it's not like I have some high-society, upper-class English background.
I go, and I lobby for seniors on the Hill in Washington, D.C., and I've fought to have the Older Americans Act reauthorized, so I believe that my voice has been used for a lot of good.
Something like Deckard Cain is great; it doesn't ruin your voice. But games that involve violence or battle or mutating and stuff like that really does take a toll on your voice. And I've even had to start to go to a voice guru kind of guy to do exercises to try to save and get back some of what I lost.
I just had a really good time when I did my voice work for 'Call of Duty.' I've had nothing but great interaction with Activision.
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