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I get my voice from my mother's side of the family. My mother and my grandmother both had strong voices.

For me, at a very young age, I knew I wanted to be in the entertainment industry; I wanted to be an announcer. I was very smitten at an early age with the voice I heard coming from a radio.

People from New York have been calling, to see if I'm still alive. When I answer the phone, you can hear the disappointment in their voice.

When I am in the sound booth, I am trying to convey as much as I can through just my voice.

I've always been known for writing lyrics or being in a band but not necessarily for 'Oh, I love that guy's voice!'

I've never thought of myself as a singer - I've always just used my voice as a vehicle to deliver songs.

'Cartel Land' seeks to give voice to the people of Mexico who suffer grievous harm from cartel violence and government corruption.

Voice acting is very creative, especially 'Star Wars' voice acting, because there's so much you have to imagine.

The Google Voice service is a lifesaver for me. My actual phone number changes a lot, so having a canonical Google Voice number that doesn't change - it's actually my same number from high school - is indispensable.

I am an optimist, and I believe that people are inherently good and that if you give everyone a voice and freedom of expression, the truth and the good will outweigh the bad.

You don't have to be a professional athlete to be heard - the most powerful tool you have is your voice.

I find the fact that my voice has been heard all over the world more insane than anything else.

It's a holistic process for me during a show. I'm always focusing on the technical aspects of my voice. I try to make my voice do what I want. One big thing I do to improve on each show is to listen back to performances on CD while on tour.

In college, this cheerleader put me on to this artist called Kimbra, and that was huge to me because that's the first time I saw somebody looping. She sampled her voice and made a song with that, and that just blew my mind.

I studied with Sandy Meisner at the Neighborhood Playhouse. I was in the last class to study with him before he had his larynx removed, so I actually remember the sound of his voice. He was an incredible teacher.

I did sing in a choir for a while, but if anybody was sick, I always whispered my songs to make sure nobody could pick out my voice.

I think I can take responsibility for that in that I was the audience. I was the voice of sanity around whom all these crazies did their dance. And I reacted in the same way that a member of the audience would have reacted.

I have never had a vote, and I have raised hell all over this country. You don't need a vote to raise hell! You need convictions and a voice!

The Prince of Egypt' was lauded for its voice acting, and with good reason. The cast is a bunch of A-listers in their prime in the '90s.

I have a British voice and a rather formal one at that, having been brought up in post-WWII Britain. My voice is perfectly suited to the sort of book I write, I think. It would not fit a contemporary, besides which I do not know enough about the contemporary world to write convincingly or comfortably about it!

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