Explore Quotes on Voice

When you listen to Ray Charles, there's never any doubt whose voice that is.

I want to create or be a platform for people who have been labelled as a victim. I'm not going to be their voice; that's their voice. I want to allow people to voice their life beyond labels.

You see on 'Britain's Got Talent' and 'X Factor,' they all wear ear plugs. But I could not hear myself when I wore them. So that is where the strong voice came from.

When I read a book, it's Lou Reed's voice narrating it.

I love Lou Reed because his voice sounds like your inner conscience.

It's true in most movies I don't use my own voice.

As a young man, Dickens worked as a reporter in the House of Commons and hated it. He felt that all politicians spoke with the same voice.

I guess NBC must have noticed that one of my main staples is social media. So, when they approached me for 'The Voice,' I thought, 'Why not be the first one to do it?'

Your voice matters, so protect it.

When you're doing voice work, you're in a bubble where you just think about the story and the words. They record you on video while you're doing the voice work, so they capture how your face is moving and the gestures you make.

I don't know that my voice ever makes sense anywhere, necessarily. I would sing bluegrass music, and I don't fit in there; I would sing rock music, and I'm probably a little too hillbilly for that. And country, I'm too much rock n' roll for there sometimes.

Growing up, 'Mean' Gene was the voice of my generation.

I love the string band. I love the sound of it, the possibilities of it, I love the physical sensation of creating and performing in it. It's my voice.

I always looked at rock & roll as the voice of regular people, of an economic group not in charge.

Bushmaster was such a great adversary, and Mustafa Shakir, just the way that he embodies him in terms of the power of the voice, the stillness, and then, at the same time, when they do get after it, when he does fight, just how kinetic he was. He just brought a great dynamic and being able to explore his history in making the character Jamaican.

It's better to write a pilot rather than write a spec show. In some cases, you have to do both, but more often, writing a pilot and having an original voice is more important.

'True Romance' was definitely, in part, still me finding my voice as a writer. I was nervous, and I was a lot more shy. The album sounds bruised.

My voice is different, but I don't think I'm the only one with a different take on pop music.

I feel like, throughout 'True Romance,' I was unsure of myself in terms of songwriting. Even though it was my voice, I feel there were a lot of other voices on that record, too.

There's no one on the road that I tried to pattern myself after. There's no one in history that I tried to pattern myself after. Because one thing I was told that in standup you want to develop your own voice.

'DWTS' really made me feel confident, and has given me a lot of just self-worth within myself and realizing that I don't need a man to be successful and that I could do a lot on my own, and have my own voice and have my own opinion.