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It's true in most movies I don't use my own voice.

As a young man, Dickens worked as a reporter in the House of Commons and hated it. He felt that all politicians spoke with the same voice.

I guess NBC must have noticed that one of my main staples is social media. So, when they approached me for 'The Voice,' I thought, 'Why not be the first one to do it?'

Your voice matters, so protect it.

When you're doing voice work, you're in a bubble where you just think about the story and the words. They record you on video while you're doing the voice work, so they capture how your face is moving and the gestures you make.

I don't know that my voice ever makes sense anywhere, necessarily. I would sing bluegrass music, and I don't fit in there; I would sing rock music, and I'm probably a little too hillbilly for that. And country, I'm too much rock n' roll for there sometimes.

Growing up, 'Mean' Gene was the voice of my generation.

I love the string band. I love the sound of it, the possibilities of it, I love the physical sensation of creating and performing in it. It's my voice.

I always looked at rock & roll as the voice of regular people, of an economic group not in charge.

Bushmaster was such a great adversary, and Mustafa Shakir, just the way that he embodies him in terms of the power of the voice, the stillness, and then, at the same time, when they do get after it, when he does fight, just how kinetic he was. He just brought a great dynamic and being able to explore his history in making the character Jamaican.

It's better to write a pilot rather than write a spec show. In some cases, you have to do both, but more often, writing a pilot and having an original voice is more important.

'True Romance' was definitely, in part, still me finding my voice as a writer. I was nervous, and I was a lot more shy. The album sounds bruised.

My voice is different, but I don't think I'm the only one with a different take on pop music.

I feel like, throughout 'True Romance,' I was unsure of myself in terms of songwriting. Even though it was my voice, I feel there were a lot of other voices on that record, too.

There's no one on the road that I tried to pattern myself after. There's no one in history that I tried to pattern myself after. Because one thing I was told that in standup you want to develop your own voice.

'DWTS' really made me feel confident, and has given me a lot of just self-worth within myself and realizing that I don't need a man to be successful and that I could do a lot on my own, and have my own voice and have my own opinion.

If someone says something vulgar to you and you retweet it, now you're giving them a voice, and you never want to give hate a voice.

Occasionally, some brother sings very earnestly through his nose, often disturbing those around him, but it does not matter how the voice sounds to the ears of man. What is important is how the heart sounds to the ears of God.

Our Founders worried a lot about the tyranny of the majority. They designed our form of government to provide a loud voice for minority points of view. They hated the idea of unilateral power. And wanted to force advocates and policy makers, through structure and process, to compromise.

He was an amazing actor and could mimic anybody's voice. My sister Katrine was walking past one day and could hear our dad shouting and thought, 'God, I won't go in that room!' but realised it was Nicol Williamson mimicking my father's voice perfectly.

A society which is liberal democratic cannot have public policy determined upon the basis of who has got the loudest voice - or who can brings things to a halt.

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