Explore Quotes on Voice

As the editor at the Village Voice, I always tried to find writers of colour.

When we first started to write our first movie, 'You Are Going To Prison,' we wanted it to be crazy and unique, brand new, our voice, not like anything that'd ever been before. It took us about a year to write our first script.

Our party has always been the voice of the powerless and the voiceless.

It's not about just a vote, it's about being a voice. There's a difference between being a person who just pushes the button and someone who is actually going to be a voice for the conservative movement.

It's an honor to be able to get in the fray and be a strong, mature voice for Coloradans, a voice uncensored and uncontrolled by the permanent political class in Washington.

The documentaries are one thing - I was highlighting someone else's work, someone else's genius. Once I had to find my own voice, I'm glad I was a little bit older and had some confidence and had all these great inspirations to draw from.

There's a thing that has happened in the U.S. where the spirit has been beaten so badly and so you feel no unity in the voice of the country.

I have been doing voice work my entire life, and I adore it. It is really rewarding stuff.

My main point is to entertain in a way that is unique and different from what anybody else id doing; to apply my voice in a way that nobody else in the industry is applying theirs.

I knew right then and there, it was the beginning of the end for Milli Vanilli. When my voice got stuck in the computer, and it just kept repeating and repeating, I panicked. I didn't know what to do. I just ran off the stage.

When I come off stage, I just shut up. I try as best I can not to use my voice at all. You know I love to talk, but I try when I come off stage to have the minimum amount of vocal interaction because I need at least a good 10 hours to just recover from my form of extreme singing.

I truly believe there's all the Deadpools that have existed, and there's Ryan Reynolds' Deadpool, who is now the Deadpool for the world. He owns that voice.

The best voice actors all have a live performance background. And are competent, fearless, incredibly creative actors.

However vile the abuse they receive, media people must remember this is part of the price of getting a public voice. Stay grateful. Don't kick down, kick up. Criticise power rather than proles.

Cat Stevens' music, voice, and energy made me feel so secure. He sounded different from some of the paternal figures in my life, so gentle and kind.

The camera or the microphone in the booth is merciless. If you don't believe what you're saying, it hears it. If you don't believe it, it sees it in your eyes, it hears it in your voice that there isn't the conviction there.

What's interesting about the U.K. is that it celebrates an alternative voice. It's up for telling new stories.

'Begum Jaan' was such a very different zone for me. After the filming was complete, I got immersed in voice modulation. I had to shout my lungs out into the microphone and then dub for it to get that hoarseness in my voice.

Can I play a southern character? You betcha. Can I do the voice of Tourist Dad and Carnival Barker? Ya betcha. Can I do Fix-It Felix? Ya betcha. But I don't want to just play southern characters, so I hide it; I bury it. I tamp it down like a secret. Like a dirty little secret.

My dad got into this group, Commission, with Fred Hammond, and that was my biggest gospel memory. I would hear that all the time, and listening to their voices helped me develop my voice because I would try to emulate them as a kid. It taught me tone, and it gave me a balance.

For my first album, I thought it was most important for people to hear my voice and to not let it be drowned out by too many lasers and other sounds.