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It's great to get to make something in your own voice.

I was in high school and college as hip-hop was really sort of coming into its own as a, you know, creative force, as a sort of cultural voice. And it really spoke to me.

The early Bon Jovi stuff I can't stand. I just think we didn't have our stylistic voice. But some people love some of that stuff.

Look at Bob Dylan: his voice is not a great sound, but it gets the idea across... and that is what's really important.

People even describe the way I speak as sounding like gurgling with broken glass. Some people can't stand me; they hate my voice.

A song is a lot of things. But, first of all, a song is the voice of its time. Setting words to music gives them weight, makes then somehow easier to say, and it helps them to be remembered.

I haven't scoured Dixie out of my voice. But I don't think that the books that I have written... have really in any way been Southern in character.

I'm inclined to think that, because it's such an awful life, that politicians do go into it for the best reasons. I mean, some may love the sound of their own voice. But it's such a wearying life, you've got to be impelled by some desire to leave the world a better place than when you came into it.

It takes a big voice a long time to develop properly; the bigger it is, the harder it is to develop the technique.

She just had a timeless voice... Karen was a natural. She didn't have to practice... she just sang instantly, impeccably whether it was live or on record. She was my sister, she was my professional partner, and she was my best friend.

Before any auto-tuning or anything else, that's us - and so, really, especially Karen's voice. But the whole Carpenters sound is, I hope, appreciated for just how marvelous it is.

Without the tape-recorded evidence demonstrating irrefutably, in Nixon's own voice, his knowledge of and active involvement in obstruction of justice, it is likely that Nixon would have escaped impeachment and removal from office.

It's about being a voice in the community. There's so many ways to be a voice, and that's what I'm figuring out.

One day, I was just thinking about something, and then - you know when you think, and you have that inner voice in your head? I realized it was in English.

He was the father of the neighborhood and the voice of reason for everyone. Everything I needed to know to run my business and to be a good human being, I got right here from my father.

'The Critic' was so absurd, and I loved that. I loved working with Jon Lovitz, I think he's got a great, great voice for animation.

I haven't done a lot of voice work, but I know that a lot of shows will just bring in the actors individually, and they will just do what is on the paper. You miss out on that connection of having everyone there.

I want to keep my voice young, with nothing heavy.

No voice teacher can be all things to all people. You have to gain information from whatever sources you can. You have to listen.

Most people were annoyed with my voice, I think, because I'm working-class, and that doesn't sound quite right on Radio 4.

I encourage all of you to seek out teachers and mentors that challenge you to think for yourself and guide you to find your own voice.

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