Explore Quotes on Voice

With narration, you have to be very accurate with your voice. It's a good exercise to do.

So it's not so much that I set out to do something different, it's just that the songs themselves require their own individual voice and attention.

With the a cappella groups, every voice is like one string on a guitar, one note on the piano, or one cymbal, and you don't have the luxury of falling back on anything.

I have received hostile voice mail messages and e-mails. They are often anonymous, I'm sad to say, as anonymous messages are delivered only by very low forms of human life, in my opinion.

Ordinary people in such positions - working at firms, companies, or chains - have the absolute right to have their voice in the public square.

I've actually, very rarely have I worked in my own voice. I've played, I think, Russian, American, Northern from the North of England. All sorts of different accents I've worked in.

However, if you listen to me I think you can hear years of abuse in my voice - both bad abuse and good abuse.

I have an original voice. It may not be the best voice, but it's distinct, and I think that's what has carried me through the years.

It's one thing if you write a song and somebody else sings it because you give the OK. But if your voice is on something and you don't get the credit, it's kind of hard.

It's tough hearing your voice on the radio, on a chorus, and knowing that people think it's another artist.

We now have powerful technology, which allows us a voice across boundaries, which was unimaginable at the time of the Greenham Protest, a protest that pre-dates the Internet and the mobile phone.

Always feeling secondary and just being a voice rather than known as the song writer and artist... it's been a challenge to even get music videos of most of the features I'm on, so I'm pleased people are starting to recognise me as an artist in my own right.

My singing voice has sort of an Ethel Merman-type quality: just, like, loud and strong and full.

I already have a very low, raspy voice for a girl. When I'm sick, it sounds even raspier.

What I need, as a reader, is a character with a heart and a voice and a pulse. I need a character so vivid and so specific that she doesn't feel like fiction.

When the 'New York Times' revealed the warrantless surveillance of voice calls, in December 2005, the telephone companies got nervous.

I'm 5-feet-9, I have a deep voice, and I have a way with a line. What can I do about it? I can't stay home waiting for something different. I think it's a total waste of energy worrying about typecasting.

The voice that called us years ago still calls us today. Every monastic day is a new monastic beginning.

I tried out for 'The Voice,' and I also tried out for 'America's Got Talent,' and both them, like, reached out to me. I had, like, little singing video on YouTube, and they were like, 'Come out for an audition.' I did, and I got a callback for both of them, actually, and, uh, didn't get anything after that. I was so heartbroken. But look at me now!

I think the best thing is having a voice and being able to give people a different perspective and a different opinion and voice my emotions and how I feel. To be heard by people, it feels good.

As a filmmaker, I really want to utilize the tools to carry the voice - my voice, and the voice of the characters.