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If I were a carpenter, I'd find a way to empower using that skill. I'm using as much as God has given - my mind, my voice, my heart, my art forms. This is the highest form of expression on the planet from God, to me, to you.
My biggest goal became to bring the weight of and the voice of the Arabs into the Israeli political sphere.
I just don't think there's a lot of support for the woman's voice in cinema, and it becomes really difficult to raise that money and start again every time.
'Selma' is a story about voice - the voice of a great leader; the voice of a community that triumphs despite turmoil; and the voice of a nation striving to grow into a better society. I hope the film reminds us that all voices are valuable and worthy of being heard.
Folk music is very honest, it's very humble, it's very organic, and the voice is exactly that. And so I'm very excited to put the two together.
I just wanted to be a songwriter. I did really not like the sound of my own voice.
Every single person has a negative voice in their head at one point or another. It happens, and then, you conquer it, and then, it happens again.
With voice overs... you're not thinking about the camera. So your voice becomes this thing that you can manipulate. And depending on the character you're doing, it's all concentration on your voice.
I have a very pop voice, but there's so much of me I associate mostly with urban music, so I try to blend the two.
I'm kind of an animated person. I was given this really big blessing that my voice just kind of carries the emotion.
Non-violent protests have reached a plateau. There is no other way but to get into politics to make your voice heard.
My voice isn't an instrument I can just hang up on a hook.
I just wanted to go to New York and be on Broadway, but then I was accepted by Juilliard, where they trained me in classical voice. It was great in the end, but at the time, I thought, 'What am I doing here? This is not my path.' But it was absolutely my path and where I was meant to be.
You'll see that the strong, the affirmative, the positive voice in any of the plays I've written is that of a woman. My men are, well, not quite worthless, but they are certainly weak, and that reflects the reality I grew up with and what I think has in a sense shaped me.
I think my music is a little shocking to some people because my voice is very traditional-sounding, and my music is not.
A lot of the songs are very rock-oriented. My voice makes them country, and a lot of people think that is a strange combination... I think it creates something different and unique.
My voice is very country, and my songwriting is very country.
Vocally, I sound like my mom. I don't think I can help it. That's just my natural voice.
I don't normally make documentaries. I'm a drama director. I've made a few short docs, but I don't like talking heads or 'voice of God' narrators.
I didn't have to express myself to anybody; I would just sing. And most of the times, when I initially used to sing, I used to get scared of my own voice.
I think I have lived enough in this country where I can say what I think is true and which is the voice of my conscience.
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