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You either evolve or you don't. I don't like old people on a rock n' roll stage. I think they look pathetic, me included. And the fact that I represent an era means I can't just go out there and do all new stuff. They would all say, 'Sing 'White Rabbit,'' and I'd say no? That's rude.
'White Rabbit' was mostly done in about two days, the music in about half an hour. The music is a 'Bolero' rip-off and the lyrics a rearrangement of 'Alice in Wonderland.' You take two spectacular hits and throw them together, and it's hard to miss.
Applause is interesting, but I'm a monster with or without it. Something is either well written or it isn't. 'White Rabbit' is not well written, and no amount of applause or royalties can convince me it is. I could have done a better job with those lyrics. They didn't say what I wanted.
The one thing that always bothered me when I played in the NBA was I really got irritated when they put a white guy on me.
As far as playing, I didn't care who guarded me - red, yellow, black. I just didn't want a white guy guarding me, because it's disrespect to my game.
Light is meaningful only in relation to darkness, and truth presupposes error. It is these mingled opposites which people our life, which make it pungent, intoxicating. We only exist in terms of this conflict, in the zone where black and white clash.
The better a work is, the more it attracts criticism; it is like the fleas who rush to jump on white linens.
I didn't even like white wine. Then I tasted it and bought a case. It was the first case of any wine I'd ever bought.
White men have always controlled their wives' wages. Colored men were not able to do so until they themselves became free. Then they owned both their wives and their wages.
Could it be that my circle is largely black and that it is why I am influential in black circles but not in white circles?
White people are potential humans - they haven't evolved yet.
However painful it may be for me to accept this conclusion, I am obliged to state it: for the black man there is only one destiny. And it is white.
Know the white, But keep the black, Be an example to the world! Being an example to the world, Ever true and unwavering, Return to the infinite.
There was nobody at the time who was playing slide guitar like Johnny, and nobody, or no white guys at least, that was playing country blues like that on the acoustic guitar. And it was at that point that I realized what Johnny had to offer.
Our party for the longest time has relied on the votes of white guys. I think that all of these candidates are going to improve our party, our policies, and our nation.
New York is to the nation what the white church spire is to the village - the visible symbol of aspiration and faith, the white plume saying the way is up!
We pray against the domestic enemies of the Constitution, against this demon of tyranny who is using the White House occupant. That demonic spirit is oppressing us.
When you look at Darling and the Oscars, it has to be luck. It was a black and white film and it was the last time that there was a black and white Oscar.
The fact was, Ford kept stumbling around. I didn't want him in the White House. I wanted Carter in, and I had a forum of 20 million people watching.
I've had some wonderful times at the White House. I've been with Ford, Carter, Reagan, Clinton and Bush.
While I'm critical to the Bush presidency, it's been enormously beneficial for Salon because we're seen as kind of an aggressive watchdog on the Bush White House. Particularly since Florida, our readership hit a whole new level, and we held onto those readers.
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