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For women, 50 has too long been seen as a symbolic cut-off point. A roadblock where your energy, vitality and career prospects were once expected to come to a screeching halt.
During the war, women without nylons drew lines up the backs of their legs to give the illusion of silk stockings. Painting over grey hair with spray-on root touch-up - or even dark eyeshadow - is the Covid-19 equivalent.
I despise women wearing too much makeup. It hides their actual beauty.
You can have a lot of destruction, but in a realistic female movie, the women are going to be aware of that destruction and apologizing for it.
As women, I think we're used to looking around to see what people think about this, who's approving of us, who's criticizing us, and whether we have to internalize their thoughts on us.
Men starting out have so many options of filmmakers to connect with artistically and be shepherded by and collaborate with. I just didn't have an older, more experienced me to help me. So I hope all the women making movies now are aware we have the opportunity to be that to new filmmakers.
I try to write from a place of writing what I know, and what I know is interesting and appropriate women with edgy senses of humor. They're not soft people, so why are all the movies about women soft? My friends are all blazing their own paths. Some are married with kids, but a lot of them aren't. Some of them don't want that life.
We're so used to seeing women in movies about a romance where they don't seem to have any inner fortitude. They're completely defined by their relationships, and it's hard to engage with those characters and relate to them.
I hope that women know that they can and should try everything they're interested in - with the confidence that men have had.
Economics drive the creative, and for a long time, movies about men were just considered 'movies,' whereas movies about women were considered niche and only appealing to women. This is to an extent still true, and what it does is represent movies about women as less profitable.
Culturally, as women, we're raised to be very concerned with others' approval in a way that men aren't, but an inevitable part of directing and being visionary is that you have to be a boss, and as such, not everyone is going to like you all the time or agree with your choices.
Women are completely disadvantaged - despite what men will say. It is not a fair fight.
One of the more interesting challenges I face when doing research for my novels is to trace the lives of women who are vital to the narrative and try my best to give them back their voices.
If it hadn't been for Bill Macdonald's book 'The True Intrepid,' I might never have found out about the women who went down to work in secret in New York for our own spymaster Sir William Stephenson in the Second World War.
I have seen and really liked the varied movie adaptations of the book, but 'Little Women' has a sprawling, richly tangled story that needs time and space to weave its magic.
I've always felt very sympathetic from the first days of writing about women that, whatever the woman, whether she is trying to be a woman in the conventional sense or breaking the boundaries, those struggles are quite difficult.
There are so many young women who tip over into being a facsimile: they don't really inhabit their lives or their bodies.
Not that it was Twiggy's fault, but the ubiquity of her image created a sense in young women that to be stylish meant to be skinny, flat-chested with an ingenue face and straight hair.
I spent 11 years in isolation units, solitary confinement... in the hardest places for women.
Historically, and even now, women have been asked to give up on their dreams way more than men, mostly - because it's sort of like you're supposed to once you become a wife and mother. That's a generalization; that's what the mentality has been.
We must learn how to live in the space of inner peace in our everyday lives. This takes consistent, conscious effort because I know so many black women are hurting and sad, and we don't easily express our heartache or show our wounds.
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