But he who is hated by the people, as the wolf by the dogs - is the free spirit, the enemy of fetters, the non-adorer, the dweller in the woods.
Friedrich NietzscheRead
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But he who is hated by the people, as the wolf by the dogs - is the free spirit, the enemy of fetters, the non-adorer, the dweller in the woods.
Now the Church is not wood and stone, but the company of believing people; one must hold to them, and see how they believe, live and teach.
Into the woods--you have to grope, _x000D_ But that's the way you learn to cope. _x000D_ Into the woods to find there's hope _x000D_ Of getting through the journey.
I did however used to think, you know, in the woods walking, and as a kid playing in the woods, that there was a kind of immanence there — that woods, and places of that order, had a sense, a kind of presence, that you could feel; that there was something peculiarly, physically present, a feeling of place almost conscious ... like God. It evoked that.
A lady with whom I was riding in the forest said to me that the woods always seemed to her to wait, as if the genii who inhabit them suspend their deeds until the wayfarer had passed onward; a thought which poetry has celebrated in the dance of the fairies, which breaks off on the approach of human feet.
You are not wood, you are not stones, but men.
She what was honour knew, And with obsequious majesty approv'd My pleaded reason. To the nuptial bower I led her blushing like the morn; all heaven And happy constellations on that hour Shed their selectest influence; the earth Gave sign of gratulation, and each hill; Joyous the birds; fresh gales and gentle airs Whisper'd it to the woods, and from their wings Flung rose, flung odours from the spicy shrub.
As the woods are the same, the trees standing in their places, the rocks and the earth... they are always different too, as lights and shadows and seasons and moods pass through them.
Those who do not industrialize become hewers of wood and hawkers of water
That's the clarinet I used to use... but it's just a piece of wood, you know, with holes in it and they put these clumsy keys on it and you're supposed to try to take that and manipulate it with throat muscles and chops... and try to make something happen that never happened before. And when you do, you never forget it. It beats sex, it beats anything.
Today, we must realize that nature is revealed in the simplest meadow, wood lot, marsh, stream, or tidepool, as well as in the remote grandeur of our parks and wilderness areas.
Wood feeds the fire which burns it.
The trees encountered on a country stroll Reveal a lot about that country's soul ... A culture is no better than its woods.
In my walks, I would fain return to my senses. What business have I in the woods if I am thinking of something out of the woods?
Let the moment go. . . . Don't forget it for a moment, though. Just remembering you've had an "and" when you're back to "or" makes the "or" mean more than it did before. . . . Now I understand! And it's time to leave the woods.
Into the woods you go again You have to every now and then Into the woods, no telling when Be ready for the journey Into the woods, each time you go There's more to learn of what you know.
I long for wildness, a nature which I cannot put my foot through, woods where the wood thrush forever sings, where the hours are early morning ones, and there is dew on the grass, and the day is forever unproved, where I might have a fertile unknown for a soil about me.
It was not that the jagged precipices were lofty, that the encircling woods were the dimmest shade, or that the waters were profoundly deep; but that over all, rocks, wood, and water, brooded the spirit of repose, and the silent energy of nature stirred the soul to its inmost depths.
The sounding cataract Haunted me like a passion; the tall rock, The mountain, and the deep and gloomy wood, An appetite; a feeling and a love that had no need of a remoter charm by thought supplied, nor any interest Unborrowed from the eye.
I took a walk in the woods and came out taller than the trees.
I have always striven to fix beauty in wood, stone, glass or pottery, in oil or watercolor by using whatever seemed fittest for the expression of beauty, that has been my creed.
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