Emotion resulting from a work of art is only of value when it is not obtained by sentimental blackmail.
Jean CocteauRead
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Emotion resulting from a work of art is only of value when it is not obtained by sentimental blackmail.
You know what you are actually in love with? Integrity. The impossible. The clean, consistent, reasonable, self-faithful, the all-of-one-style, like a work of art.
When a man's life becomes poetry, becomes a song, becomes a work of art, a creativity, he has become a sannyasin. Whether he knows it or not, it does not matter. The word 'sannyas' does not matter; what matters is the content.
The work of art itself is . . . a vibrant, magical, and exemplary object which returns us to the world in some way more open and enriched.
Almost every work of art is an analogy. When I make a representation of something, this too is an analogy to what exists; I make an effort to get a grip on the thing by depicting it. I prefer to steer clear of anything aesthetic, so as not to set obstacles in my own way and not to have the problem of people saying: 'Ah, yes, that's how he sees the world, that's his interpretation.'
Perpetual modernism is the measure of merit in every work of art.
In a sense, as we are creative beings, our lives become our work of art.
Of all man's works of art, a cathedral is greatest. A vast and majestic tree is greater than that.
No work of art ever puts forward views. Views belong to people who are not artists.
The beautification of the world is not a work of nature, but a work of art, then it involves an artist.
In the vaunted works of Art, The master-stroke is Nature's part.
It takes time to live. Like any work of art, life needs to be thought about.
A work of art which did not begin in emotion is not art.
When the bright angel dominates, out comes a great work of art, a Michelangelo David or a Beethoven symphony.
I go into any movie that's historical fiction thinking, 'OK, I'm here to watch a work of art, something delivering a series of opinions, and if it's a good work of art, these opinions become so deeply embedded in complexity and richness that I won't even be bothered by the opinions. I'll make my own mind up.'
I am afraid that as evangelicals, we think that a work of art only has value if we reduce it to a tract.
No. Not yet. A craftsman only. But I dream to be an artist. I pray that someday, if I work with enough care, if I am very very lucky, I will make a weapon that is a work of art. Call me an artist then, and I will answer.
I don’t want to fade away, I want to flame away - I want my death to be an attraction, a spectacle, a mystery. A work of art.
There are more valid facts and details in works of art than there are in history books.
Why one writes is a question I can answer easily, having so often asked it of myself. I believe one writes because one has to create a world in which one can live. I could not live in any of the worlds offered to me - the world of my parents, the world of war, the world of politics. I had to create a world of my own, like a climate, a country, an atmosphere in which I could breathe, reign, and recreate myself when destroyed by living. That, I believe, is the reason for every work of art.
The supreme question about a work of art is out of how deep a life does it spring. Paintings of Moreau are paintings of ideas. The deepest poetry of Shelley, the words of Hamlet bring our mind into contact with the eternal wisdom; Plato's world of ideas. All the rest is the speculation of schoolboys for schoolboys.
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