Quotes on Writers

Working with great writers can be humbling and frightening, but it can also change you for good, forever.

In the 20th century, imprisonment of writers practically comes with the territory.

Our job as writers and thinkers in the time is how to bring about the occasions that let people have that first-person experience - or the metaphoric experience that allows them to see human continuity as opposed to total threat, total willingness to do violence.

In many ways, the North won the Civil War militarily and then lost the peace. You know, a group of writers, included many Confederate generals, began a school of thought called the Lost Cause in which they began to romanticize the Confederacy.

You have to have more people who don't look like you in the writers room. I try to have some people who don't look like me in my writers room. I think it's important to have a group of voices, of people who can dissent.

You'd never know it from reading the rest of the Native writers, but Indians actually grew up with American pop culture.

That's the thing about fiction writers: what seems alarming or particular or perverse about them is simply the shape of their brain - they cannot be otherwise.

Many writers will get a contract by selling chapters and outlines or something like that. I wrote the entire novel, and when it was all finished, I would give it to my agent and say, 'Well, here's a novel; sell it if you can.' And they would do that, and it was good because I never had anyone looking over my shoulder.

People love talking about writers as storytellers, but I hate being called that: it suggests I got it from my grandmother or something, when my writing really comes out of silence. If a storyteller came up to me, I'd run away.

I feel like the writers that I'm drawn to, the writers that I really cling to, are the writers who seem to be writing out of a desperate act. It's like their writing is part of a survival kit. Those are the writers that I just absolutely cherish and carry with me everywhere I go.

From the beginnings of literature, poets and writers have based their narratives on crossing borders, on wandering, on exile, on encounters beyond the familiar. The stranger is an archetype in epic poetry, in novels. The tension between alienation and assimilation has always been a basic theme.

I've seen enough successful writers who no longer seem to care when they are recognized with an award, and I think that's just tragic.

I think speculative fiction has fewer unspoken prerequisites than literary fiction for writers of color.

I was always very curious as a young man about why older writers who I met seemed so indifferent to what was going on, whereas I, in my 20s, was reading everything. Everything seemed important. But they were only interested in the writers they admired when they were young, and I didn't understand it then, but now, now I understand it.

While I admire writers who are able to write with a vitality based on order and action, I work in a different vein. I often feel that if I can get the language just right, the language hypnotizes the reader.

Artists and writers have to deal with the element that makes the real real and the dream real while you are dreaming it. That's where stories and poems get their power.

As a writer, I tend to be drawn to marginal people - writers, poet-prophets, seers, eccentrics - who embody the deeper ambivalences of their societies and bear deeper witness to their world than the famous figures we are used to celebrating, or demonizing, in our histories.

When I was a bad writer, I would consciously imitate other NPR writers who I thought were wonderful. I suppose that everyone's artistic practice is different. But I collaborate and sometimes don't agree at all with my collaborators' opinions. It forces you to understand why you don't agree with something: what's the fight you're picking.

I think there must be something wrong with me as a writer. Because all my friends who are writers find reasons to hate everything about their day. But I just love writing. I love starting the day with language and seeing if I can make something of it.

Writers seem mesmerized by the state - the temporal entity. The word 'perestroika' is impressed somehow on our minds. But that is not the duty of a writer.

We were trained as writers with the idea that literature is something that can change reality, that it's not just a very sophisticated entertainment but a way to act.