Rhythm is one of the most powerful of pleasures, and when we feel a pleasurable rhythm we hope it will continue. When it does, it grows sweeter.
Mary OliverRead
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3,221 quotes
Rhythm is one of the most powerful of pleasures, and when we feel a pleasurable rhythm we hope it will continue. When it does, it grows sweeter.
I want my stories to move people ... to feel some kind of reward from the writing.
The only environment the artist needs is whatever peace, whatever solitude, and whatever pleasure he can get at not too high a cost.
Sheer egoism... Writers share this characteristic with scientists, artists, politicians, lawyers, soldiers, successful businessmen - in short, with the whole top crust of humanity.
The test of a writer is whether you want to read him again years after he should by the rules be dated.
Man has always been half-monster, half-dreamer.
Had I been blessed with even limited access to my own mind there would have been no reason to write.
You have to simply love writing, and you have to remind yourself often that you love it.
The blizzard doesn't last forever; it just seems so.
Only a person who is congenially self-centered has the effrontery and the stamina to write essays
How to feel your way toward something honest, hidden under the trapdoor on the top of your skull.
To write well about the elegant world you have to know it and experience it to the depths of your being... what matters is not whether you love it or hate it, but only to be quite clear about your position regarding it.
If the English language had been properly organized ... then there would be a word which meant both 'he' and 'she', and I could write, 'If John or Mary comes heesh will want to play tennis', which would save a lot of trouble.
The poet will write for his peers alone. He will remember only that he saw truth and beauty from his position, and expect the time when a vision as broad shall overlook the same field as freely.
If a lunatic scribbles a jumble of mathematical symbols it does not follow that the writing means anything merely because to the inexpert eye it is indistinguishable from higher mathematics.
If a man means his writing seriously, he must mean to write well. But how can he write well until he learns to see what he has written badly. His progress toward good writing and his recognition of bad writing are bound to unfold at something like the same rate.
The process of writing a book is infinitely more important than the book that is completed as a result of the writing, let alone the success or failure that book may have after it is written . . . the book is merely a symbol of the writing. In writing the book, I am living. I am growing. I am tapping myself. I am changing. The process is the product.
Writing a book is a tremendous experience. It pays off intellectually. It clarifies your thinking. It builds credibility. It is a living engine of marketing and idea spreading, working every day to deliver your message with authority. You should write one.
According to how gifted we are, we are all given a large or small key to this treasury of wonders. I have been blessed with a small key to the world of the young. It's a place where good and evil are clearly stamped. It's a place where the better part of human nature triumphs over tragedies, and where innocence rides high. It is a great pleasure to write there, because the young have what the rest of us only envy, and that is a belief in goodness and perpetual hope.
Sometimes I write quickly, sometimes I spend several weeks on a single poem. I would really love for readers not to be able to guess which of the poems took so much work!
I am sure it has been done with less, but you should be prepared to write and throw away a million words of finished material. By finished, I mean completed, done, ready to submit, and written as well as you know how at the time you wrote it. You may be ashamed of it later, but that's another story.
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