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You must keep sending work out; you must never let a manuscript do nothing but eat its head off in a drawer. You send that work out again and again, while you're working on another one. If you have talent, you will receive some measure of success - but only if you persist.
An original writer is not one who imitates nobody, but one whom nobody can imitate.
Sometimes I think it is a great mistake to have matter that can think and feel. It complains so. By the same token, though, I suppose that boulders and mountains and moons could be accused of being a little too phlegmatic.
I am a galley slave to pen and ink.
The problem is once you've written the opening paragraph and worked out how the rest of the story will go in your head, there's nothing in it for you. I write in longhand using disposable fountain pens on the right-hand side of the notebook for the first draft, then I rewrite some of the sentences and paragraphs on the left-hand side.
I never listen to music when I am writing. It would be impossible. I listen to Bach in the mornings, mostly choral music; also some Handel, mostly songs and arias; I like Schubert's and Beethoven's chamber music and Sibelius' symphonies; for opera, I listen to Mozart and in recent years Wagner.
Writing tends to be very deliberate. A novelist could probably run a military campaign with some success. They could certainly run a country.
I am violently untidy. My desk is overcrowded. I write my first drafts in longhand in a long notebook using a plastic throwaway fountain pen. Then I work on a word processor using a different desk and a different room.
Suffering is too strong a word, but writing is serious work. I pull the stuff up from me - it's not as if it's a pleasure.
John McGovern taught me that it's OK to write repeatedly about the same things.
I wrote every day between the ages of 12 and 20 when I stopped because I went to Barcelona, where life was too exciting to write.
Anyone who works in the arts knows, if you're writing a novel or a play or anything, you have to be ready for someone to say, 'Your time is up.'
I have to write a first draft with a fountain pen before I type it up as a second.
All writing is a form of manipulation, of course, but you realize that a plain sentence can actually do so much.
I write with a sort of grim determination to deal with things that are hidden and difficult and this means, I think, that pleasure is out of the question. I would associate this with narcissism anyway and I would disapprove of it.
I love doing normal things - movies, shopping, going out with friends, writing, reading, taking hot bubble baths - that's a big one for relaxation. I also love to go to art and history museums.
I've always been fascinated by books. When I was young, my grandfather used to hand out a book - which would be anything from a biography to a classic - to me every week and ask me to write a piece on what I thought about it. On the other hand, my mother used to love reading thrillers and bestsellers.
Writing is incidental to my primary objective, which is spinning a good yarn. I view myself as a storyteller more than a writer. The story - and hence the extensive research that goes into each one of my books - is much more important than the words that I use to narrate it.
Science fiction encourages us to explore... all the futures, good and bad, that the human mind can envision.
I am a businessman at the end of the day. I have grown up with Excel sheets. I start out writing my novel with spreadsheets and the milestones in each chapter highlighted.
I work in a business environment forty hours a week, and writing is what I do to unwind. It allows me to transport myself to a happy place where I can indulge my hopes, beliefs, aspirations and fantasies. It also allows me to live and breathe a topic for eighteen months while I'm researching and writing.
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