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When it comes to sitting down and composing, there is no hesitation, no concern, no critics breathing fire down my neck. For me, writing a song is the purest part of all. No one can mess with that.
I am always writing; if you want to survive in this business, you need to keep working, keep creating and never stop the output.
I love being a writer. What I can't stand is the paperwork.
I write when I'm inspired, and I see to it that I'm inspired at nine o'clock every morning.
Any reviewer who expresses rage and loathing for a novel is preposterous. He or she is like a person who has put on full armor and attacked a hot fudge sundae.
Who is more to be pitied, a writer bound and gagged by policemen or one living in perfect freedom who has nothing more to say?
To hold a pen is to be at war.
If you could get up the courage to begin, you have the courage to succeed.
I sit in places like Costa Coffee in Banstead and write rubbish. I need a deadline. I think about the 44 tour dates and keep imagining standing in front of all these people. Then every day I write 15 jokes minimum.
Sex is. There is nothing more to be done about it. Sex builds no roads, writes no novels and sex certainly gives no meaning to anything in life but itself.
Writing fiction has become a priestly business in countries that have lost their faith.
Some writers take to drink, others take to audiences.
Today's public figures can no longer write their own speeches or books, and there is some evidence that they can't read them either.
In writing and politicking, it's best not to think about it, just do it.
Write something, even if it's just a suicide note.
There is that lovely feeling of one reader telling another, 'You must read this.' I've always wanted to write a book like that, with the sense that you are contributing to the discourse in middle America, a discourse that begins at a book club in a living room, but then spreads. That is meaningful to me.
In writing, as in medicine, there are no short cuts. You need stamina.
I wish, naturally to prevent the possibility that someone may write an accidental, superficial, incomplete and perhaps untrue picture of me.
I am not a good enough writer to have an agenda or come up with a message and try to put it into a song. It's more like you write what comes to you... You try to reflect the mood of the songs.
My movies are unadorned, they're not particularly fancy, I think they're kind of workmanlike in some ways, focusing on the writing and the acting.
That music and the lyrical aspects of Razorblade Romance is so personal to me that, now with me being grown up a bit and meeting new people and doing new things, it makes me look at the same things I was writing about back in the day through a different colored lens.
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