Quotes on Writing

I have no sense of a model or predecessor when I write a memoir: For me, the form exists as a method of processing material that retains too many connections to life to be approached strictly and aesthetically. A memoir is a risk, a one-off, a bastard child.

Slang is a language that rolls up its sleeves, spits on its hands and goes to work.

I find in my own writing that only fiction - and rarely, a poem - fully tests me to the kind of limits of what I know and what I feel.

In Irena’s head the alcohol plays a double role: it frees her fantasy, encourages her boldness, makes her sensual, and at the same time it dims her memory. She makes love wildly, lasciviously, and at the same time the curtain of oblivion wraps her lewdness in an all-concealing darkness. As if a poet were writing his greatest poem with ink that instantly disappears.

I'm afraid that the act of writing is so scary and anxiety-filled that I never laugh at all. In fact, when people tell me that such and such a scene or story is comical, I tend to gape. I did not intend comedy - ever, as far as I know. It's probably all a mistake. I am essentially a lugubrious writer. Ha ha!

Novel-writing can be a cold-blooded business. One uses whatever happens to be lying around in memory and employs it to suit one’s end….Then, again, during the months whilst one is writing about the past, a story is colored by what presently is happening to its writer. So, imperceptibly, the tone of voice changes, original intentions slip away. And I found myself looking through another window at a darker landscape inhabited by neither the present nor the past.

Darling, You asked me to write you a letter, so I am writing you a letter. I do not know why I am writing you this letter, or what this letter is supposed to be about, but I am writing it nonetheless, because I love you very much and trust that you have some good purpose for having me write this letter. I hope that one day you will have the experience of doing something you do not understand for someone you love. Your father

I spent 15 minutes writing Stand By Your Man, and a lifetime defending it.

I do not write experimental music. My experimenting is done before I make the music. Afterwards it is the listener who must experiment.

Don't use words too big for the subject. Don't say 'infinitely' when you mean 'very'; otherwise you'll have no word left when you want to talk about something really infinite.

The difference between screwing around and science is writing it down.

I suspect that all the agony that goes into writing is borne precisely because the writer longs for acceptance-but it must be acceptance on his own terms.

You should make it hard on yourself to write so you’re easier to read.

Write every day, line by line, page by page, hour by hour. Do this despite fear. For above all else, beyond imagination and skill, what the world asks of you is courage, courage to risk rejection, ridicule and failure. As you follow the quest for stories told with meaning and beauty, study thoughtfully but write boldly. Then, like the hero of the fable, your dance will dazzle the world.

The visionary starts with a clean sheet of paper, and re-imagines the world.

It is no worse, because I write of it. It would be no better, if I stopped my most unwilling hand. Nothing can undo it; nothing can make it otherwise than as it was.

The very paradigm of revolution, of right versus wrong, good versus bad, is a relic with no bearing on the present. Yet artists, exhibitions, and curators valorize the sixties. People who wrote about these artists 30 years ago still write about them in the same ways, often for the same magazines.

We have our own system, ... and journalists in our system are not put in prison for embarrassing the government by revealing things the government might not wish to have revealed. The important thing is that our system, under which journalists can write without fear or favor, should continue.

My mother would write letters when I was away at camp and say, 'There's an Ann-shaped space around the house. Nobody fills an Ann-shaped space except an Ann.' I'm convinced we all have a God-shaped space in us, and until we fill that space with God, we'll never know what it is to be whole.

It seems to me that 'women's writing' by nature would not seek equivalence in the male world. It would be a writing that sought to express a distinction, not deny it.

And if I had not a letter to write myself, I might sit by you and admire the evenness of your writing, as another young lady once did. But I have an aunt too, who must not be longer neglected.