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I read the script first to get the perspective on the whole story, the writing, and how the character I'm auditioning for is talked about by other people or relates to other people; from there, I go into the sides.

The Crown' is a dramatisation based on fact. It isn't a documentary. If it were, you wouldn't get Peter Morgan's writing and you wouldn't get the Royal Family's interior lives.

Agents and publishers only want one thing - good writing.

I went to school for creative writing in college, and I wound up about six hours short of my degree.

Any time you get to do a David Mamet play, it's a great opportunity. His writing is such that I think it's a big challenge, but when you get it right, it's a great opportunity to play every night, really.

I don't know what'll ever happen if I'm in a healthy relationship. My writing career will go down the tubes.

And I've always loved commercials. I like working out how to organically weave a brand's message into the writing process. It's like an improv show, where comics ask the audience to throw out a word and a skit is built around it.

I feel for Veronica Mars so much when I'm watching at home. It is a wonderful story. The writing is consistently funny, biting, charming, heart-wrenching, etc. I also like the look of it. The cinematography - different from any other show.

I have always written - since I was a kid. I might say that I am essentially a writer who is bored to be alone in the room writing. I need to have more people around me. So, I 'write' with a film camera and have a party at the same time by having a bunch of people around.

You start realizing that good prose is crunchy. There's texture in your mouth as you say it. You realize bad writing, bland writing, has no texture, no taste, no corners in your mouth. I'm a great believer in reading aloud.

My house is modern, but I like my writing room to be old fashioned. I write on a little wooden secretary desk.

The thing that makes vivid writing is when the reader is in the body of the story, the body of the character. Things smell like something; there's weather, there's texture, there's light.

Writing is far too hard work to say what someone else wants me to. Serving it as a craft, using it as a way of growing in my own understanding, seems to me to be a beautiful way to live. And if that product is shareable with other people, so much the better.

News writing and sports writing have become synonymous. And it started with, you know, free agency, and now it's in the concussion debate.

I have acting technique; I have singing technique; I don't have a writing technique to fall back on.

I never show my books to Ricky. His writing is very different, and anyway, he's only read one novel in his life: 'The Catcher in the Rye.'

It's really weird because my house is very ornate, but my writing lair is very, very blank. It's white, the furniture is white. It gives me nothing to look at, so I just have to concentrate!

I discovered that writing was very nice indeed when I was very young, and I never changed. I don't think my style has changed very much at all - though I hope what I say is a bit more interesting. It's about getting to know a character and loving them, I think.

Writing is a muscle that needs to be exercised every day: The more you write, the easier it becomes.

Privacy has become the most precious thing. Things have got more cryptic in my writing.

As an actor, you're tied to the writing. You live and die by what's written for you. And you can elevate that to a certain extent, but really, that's your blueprint.

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