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My house is modern, but I like my writing room to be old fashioned. I write on a little wooden secretary desk.

The thing that makes vivid writing is when the reader is in the body of the story, the body of the character. Things smell like something; there's weather, there's texture, there's light.

Writing is far too hard work to say what someone else wants me to. Serving it as a craft, using it as a way of growing in my own understanding, seems to me to be a beautiful way to live. And if that product is shareable with other people, so much the better.

News writing and sports writing have become synonymous. And it started with, you know, free agency, and now it's in the concussion debate.

I have acting technique; I have singing technique; I don't have a writing technique to fall back on.

I never show my books to Ricky. His writing is very different, and anyway, he's only read one novel in his life: 'The Catcher in the Rye.'

It's really weird because my house is very ornate, but my writing lair is very, very blank. It's white, the furniture is white. It gives me nothing to look at, so I just have to concentrate!

I discovered that writing was very nice indeed when I was very young, and I never changed. I don't think my style has changed very much at all - though I hope what I say is a bit more interesting. It's about getting to know a character and loving them, I think.

Writing is a muscle that needs to be exercised every day: The more you write, the easier it becomes.

Privacy has become the most precious thing. Things have got more cryptic in my writing.

As an actor, you're tied to the writing. You live and die by what's written for you. And you can elevate that to a certain extent, but really, that's your blueprint.

The writing workshops and programs that are everywhere have encouraged writing. And if that produces more writing, it's also producing more readers of an elevated level. So all in all, a good thing.

The writing is really important in books that affect me. I read for the writing. The story is usually of less interest to me. It's the words that break your heart.

There are writers for whom names mean nothing; everybody could be called John and Elizabeth, and the writing would be just as good. A name, of course, is like a piece of clothing, isn't it? It gives you an impression right away.

I find the most difficult part of writing is to get it down initially because what you have written is usually so terrible that it's disheartening; you don't want to go on. That's what I think is hard - the discouragement that comes from seeing what you have done.

I've done well because I'm lucky and I'm willing to be collaborative with the one thing you don't want to be collaborative with: your writing.

Fiction writing was in my blood from a very young age, but I never considered writing as a real career. I thought you had to have some literary pedigree to be a successful author, the son of Hemingway or Fitzgerald.

You know when you're writing, and it's just you and the computer screen, and you never think that anyone is ever going to read it... you're able to say private things when you're writing.

I've always sort of felt like what the Shins is, I guess, is a vehicle for my writing.

There are aspects of writing that require you to image yourself in various roles and guises, to stand in the shoes of others, to 'act' on an inner stage.

I've grown more and more appreciative of good writing, and I now really hope I can become a better and better writer.

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