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I've read and heard that some of the most inspiring vocal interpreters adhere habitually to one rule: Always think the lyrics as you're singing them, so that the sentiment is always appropriate and heartfelt.

'Hallelujah' is going to be a standard that our grandkids, our great-great grandkids will learn to sing in church. It's one of those really, really special songs.

I think I was probably looking for gay role models when I was younger, before I even knew or thought I was gay. I didn't really make the connection that they were gay, but I felt drawn to them because they were going against the grain, and I knew there was something that they had that everybody else didn't have. It was an edge.

There are still civil rights issues. There are still people who can't be visited by their spouse in the hospital because they're gay. These are humanitarian issues. At the end of the day, all you want is for people to be happy in the pursuit of life, love and liberty.

I tend to support and get behind issues instead of candidates, because of the whole 'Super Bowl' generalization of our world - You're on this side, I'm on that side; you're a Republican, I'm a Democrat; you're country music, I'm rock music.

All of these lines across my face, tell you the story of who I am. So many stories of where I've been and how I got to where I am.

The first thing I think of when I think about coming to Las Vegas and playing is always Elvis; its always the first thing on my mind.

Coffee, whiskey, and fishing poles. That’s really all you need in life.

Sometimes seeming happy can be self-destructive even when you're sane.

I stand firm behind the belief that, for me, songwriting isn't something that I do or command, it happens to me. I can either choose to stop and acknowledge it, or put it off and hope that it won't fade away. 'That Wasn't Me' is no exception - it came together more quickly than any other song I have ever constructed on my own.

But now, with the last two years of touring and being on the road, I've learned that a live show should never sound like a record; a record should sound like a live show.

There's a lot of really inspiring music coming around the bend - we tend to believe that to sound classic or timeless is to sound vintage or retro. It's a little bit dangerous, because you'll really miss a chance to make your mark as a generation.

Colorado is an oasis, an otherworldly mountain place. I've played so many shows in Colorado that I think I'm the Colorado house band.

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