But now, with the last two years of touring and being on the road, I've learned that a live show should never sound like a record; a record should sound like a live show.
Brandi CarlileRead
There's a lot of really inspiring music coming around the bend - we tend to believe that to sound classic or timeless is to sound vintage or retro. It's a little bit dangerous, because you'll really miss a chance to make your mark as a generation.
Interpretation
The quote emphasizes the importance of creating innovative music rather than relying on past styles.
Brandi Carlile highlights the risk of artists trying to emulate vintage or retro sounds in music, suggesting that this approach could hinder their ability to innovate and define their own generation. She encourages musicians to embrace new inspirations and create timeless music that reflects their own unique identity, rather than simply repackaging styles of the past.
In practice
During a music workshop, you might share this quote to encourage young artists to find their own voice.
But now, with the last two years of touring and being on the road, I've learned that a live show should never sound like a record; a record should sound like a live show.
I hope that somewhere in Small Town, U.S.A., a 15-year-old kid looks to me as a role model the way I looked at the Indigo Girls and Elton John as role models.
It was very interesting in my world, because I grew up as a fan and I did not know that there was a thing called R&B, pop, country, classical - I just knew that I loved music.
Hip-hop, pop, dance - the common point is melancholy. That's international, and I like this word because it's not only about sadness or happiness - it's both at the same time. And that's human, and that's life.
I only knew classical music, which to me was the only true music. The only way I could survive at the bar was to mix the classical music with popular songs, and that meant I had to sing. What happened was that I discovered I had a voice plus the talent to mix classical music together with more popular songs, which at the time I detested.
My definition of Blues is that it's a musical form which is very disciplined and structured coupled with a state of mind, and you can have either of those things but it's the two together that make it what it is. And you need to be a student for one, and a human being for the other, but those things alone don't do it.
We were never a band that did 96 takes of the same thing. I had heard of groups that were into that kind of excess around that time. They'd work on the same track for three or four days and then work on it some more, but that's clearly not the way to record an album. If the track isn't happening and it creates some sort of psychological barrier, even after an hour or two, then you should stop and do something else. Go out: go to the pub, or a restaurant or something. Or play another song.
Hail, hail rock and roll / Deliver me from the days of old.
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